ASIAN CANADIAN

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Thursday, December 30, 2004

Ontario pledges $5 million in aid as Asia rebuilds following tsunamis

TORONTO (CP) - Ontario has pledged $5 million in aid and will send its top expert in forensic identification to Asia as the region struggles to recover from a series of devastating tsunamis. "I was shocked and saddened to hear the news of this terrible disaster," Premier Dalton McGuinty said in a release.

"Since the first news, we have been in contact with other governments and disaster relief agencies and are able to offer a plan for immediate assistance, starting by re-activating the Ontario Disaster Relief Fund."

The province will also send Dr. James Young, outgoing commissioner of emergency management, to the area to offer his expertise.

On Wednesday, the federal government committed another $36 million in aid to bring Ottawa's contribution up to $40 million, while British Columbia pledged $8 million directly to the Canadian Red Cross.

Canada will also send a planeload of relief supplies to Indonesia, the nation hardest hit by the Dec. 26 earthquake and resulting tsunamis. A planeload was sent to Sri Lanka on Tuesday.

The death toll from last weekend's earthquake-tsunami catastrophe rose to almost 115,000 on Thursday as Indonesia uncovered more and more dead from ravaged Sumatra island.

© The Canadian Press, 2004

Wednesday, December 29, 2004

B.C. pledges $8 million to victims of earthquake, tsunami

VICTORIA (CP) - British Columbians will provide $8 million in aid to the victims of the deadly tsunamis in Asia, Premier Gordon Campbell said Wednesday.
"Obviously this is a tragedy on such an enormous scale that it touches us all, especially those who have special ties to the countries that have been impacted by the earthquake and tsunamis," Campbell said in a telephone interview from Hawaii, where he is on vacation.

The premier said the $8 million would go directly to the Canadian Red Cross "to provide immediate assistance to the region."

B.C. is Canada's "gateway" to the Pacific, he said, so it is important that the province show leadership.

The B.C. Centre for Disease Control and the province's health emergency response network also are working to see how B.C. can be most effective in providing assistance to the countries affected, said Campbell.

"British Columbia is a province that has always taken great pride in its multiculturalism and the vital multicultural community that we have, and much of that community comes from the southern Asian part of the globe."

Campbell urged all provinces to send as much aid to the stricken areas as they could afford.

"I think all Canadians will reach out to try to contribute.

"British Columbia has a special role to play here. We are Canada's Pacific province and we have special connections with that part of the world."

© The Canadian Press, 2004

Gung Haggis Fat Choy at First Night Vancouver

Gung Haggis Fat Choy celebrates Scottish Hogmanay and Chinese New Year for First Night Vancouver

Gung Haggis Fat Choy is pleased to present three shows for First Night Vancouver, December 31st, 2004. This unique and wacky collision and collusion of Robbie Burns Day and Chinese New Year, created by Todd Wong, will feature the global opposite and yet culturally similar elements of Scottish Hogmanay and Chinese New Year. Advanced buttons are $10 each. Family packs of 4 buttons for $35. $15 each at the door.

The shows take place at 6pm, 8pm and 10pm at the Fun Too! Venue, located on Q.E. Plaza at the corner of Georgia St. and Hamilton St. First Night Vancouver marks the first time the culturally tongue-in-cheek elements of the ever popular Gung Haggis Fat Choy dinner phenomenon have been especially re-created for a festival event.

Expect a Chinese bagpiper! Expect great cultural fusion music between East and West.

Sing along to "Scotland the Brave," and Burns’ perennial favorite, "Auld Lang Syne." Enjoy Chinese "something-or-other."Expect East and West to collide for "My Bonnie Chow Mein Lies Over the Ocean," and "When Irish Asian Eyes Are Smiling," plus many more suprises!

Expect the Unexpected!

Joining host "Toddish McWong" are Silk Road Music’s Qiu Xia He and Andre Thibault, Dragon River Shadow Puppet Theatre’s Karen Wong and Zhongxi Yu, plus special guests Battery Opera’s David McIntosh, and East-West hip hop singer LaLa.

January 17th, 2005.

Catch the Gung Haggis Fat ChoyÔ World Poetry Night at the Vancouver Public Library Featuring Governor General’s Award for Poetry winner Fred Wah, and hosted by Todd Wong, Ariadne Sawyer, Alejandro Mujica Olea. This event is free and open to the public.

January 30th, 2005

Catch the infamous Gung Haggis Fat Choy: Toddish McWong’s Robbie Burns Chinese New Year Dinner. Special guest hosts and performers include Shelagh Rogers, Tom Chin, Brave Waves, Fred Wah and many others. This is the dinner that inspired the Leo Award nominated CBC television special Gung Haggis Fat Choy. Tickets now available at Firehall Arts Centre 604-689-0926. Fundraiser for Asian Canadian Writers’ Workshop, Rice Paper Magazine and Gung Haggis dragon boat team.

For more information contact

Todd Wong
Phone: 604-987-7124
Email gunghaggis@yahoo.ca

www.gunghaggisfatchoy.com

Kala Nidhi Fine Arts of Canada

HEMA AND KRITHIKA RAJAGOPALAN
with their troupe of eight dancers, Natya Dance Theatre, Chicago, USA

in a programme of BHARATNATYAM
—both traditional and contemporary--

HER LAST JOURNEY
Pushpanjali
Varnam
Shaktichakra
Meera
Seeta
INSIDE – OUTSIDE

Followed by Dance Talk—A Dialogue with choreographers
Time and Date: 7.30 PM , Saturday, February 12, 2005

Venue: Premiere Dance Theatre, Harbourfront Centre
207 Queen’s Quay west, 3rd Floor
Toronto, Ontario M5J 1A7

Tickets: $25 and $20
20% off for students, seniors and groups of ten or more

For tickets: call Harbourfront Centre box office 416 973 4000
Open Tuesday through Saturday from 1pm to 8pm

For information: Sudha Khandwani,
Kala Nidhi Fine Arts of Canada 416 229 0369
email: kalanidhi@kalanidhifinearts.org

Enhanced Tax Credits Will Help Retain And Attract Jobs

The McGuinty government is giving a boost to Ontario's film and television industry with an investment that would sustain and strengthen both the domestic and foreign production sectors.

"We are committed to creating a supportive business environment in which our film and television industry can not only survive, but thrive," said Culture Minister Madeleine Meilleur. "The sector generates $2 billion annually for Ontario's economy and is a major contributor to our quality of life. All Ontarians have a stake in the success and sustainability of this important industry."

If passed by the legislature, the government would invest $48 million in two tax credits that would be effective January 1, 2005. Specifically, the investment would:

Increase the Ontario Film and Television Tax Credit for domestic productions from 20 to 30 per cent for five years, and maintain the 10 per cent regional bonus credit
Increase the Ontario Production Services Tax Credit for foreign productions from 11 to 18 per cent, subject to review before the end of 2005.
"I applaud Minister Meilleur's hard work in building a more competitive tax credit to support this important industry," Finance Minister Greg Sorbara said. "We see this investment as a way to stimulate economic growth and job creation. Working with the industry, we have developed some performance measures that they will need to meet to maximize the value of this tax credit for their members."

"The more than 20,000 people who work in Ontario's film and television business were given their future back today," said Brian Topp, Executive Director of ACTRA Toronto and co-chair of Film Ontario. "We're very grateful that the McGuinty government is stepping up to reinvest in our industry. Today's announcement will pay off in greater stability; in strengthening and building Ontario's role as Canada's domestic film and television centre; and in greater competitiveness in the global production industry. That's excellent news for working people in the film and television industry."

The enhancements would be effective for labour expenditures incurred on or after January 1, 2005, and would be subject to performance reviews to ensure that they are meeting their objective of sustaining and strengthening film and television production activity in Ontario. The Ontario Production Services Tax Credit would be subject to an annual review and the Ontario Film and Television Tax Credit would be subject to a performance review before January 1, 2010.

CanAsian Dance Festival

CanAsian presents three exciting workshops as part of its 2005 Festival!

Butoh Workshop with Fisherman’s Art Factory YAN-SHU
When you encounter lots of "?"s, that's the entrance of butoh
February 22 from 9:30 – 2:00
February 23 from 9:00 – 12:00
February 25 from 10:30 – 2:00
Dovercourt Penthouse, 805 Dovercourt Road, 3rd floor
Cost: $150
Space is limited. $20 deposit required.

YAN-SHU was formed by Kinya "ZULU" Tsuruyama while he was in Dai-Rakuda-Kan, one of Japan's preeminent butoh groups. A popular performer in Europe, he performed in Berlin with the Theatre Danse Grotesque in 1995. Later he performed in 'Le coucourse' by Maurice Bejart in Germany's famed STATSOPERA. In his zeal to promote and advocate this unique form of dance, ZULU has taught and directed butoh workshops throughout Europe.

Exploration of male icons in Peking Opera with Lu Min of the Shanghai Peking Opera Company
February 19 from 2:00 – 5:00
M-DO Studio, 50 Spadina Avenue
Cost: $50

Professional Chinese artist Lu Min interprets various male icons from both the traditional and contemporary repertoires in Peking Opera. Participants will get hands-on experience exploring the unique movement, voice and acting techniques of this stylized art form. Chinese language and dance background are not required.

Mr. Lu Min graduated from the distinguished Shanghai Peking Opera School in 2002, specializing in the "Lao Sheng" (elderly male) roles under renowned Master artists including Chen Guo Qin, Zhu Ping Qian, and Wang Si Ji. Upon graduation, Mr. Lu Min was immediately recruited as a principal actor with the prestigious Shanghai Peking Opera Company.

The Second Body, a contemporary dance workshop with Alvin Erasga Tolentino
February 26 and 27
10:00 – 12:00
Maddison Studios, 190 Richmond Street East
Cost: $40

This workshop, open to all levels, focuses on the theories and hybridities of a performative body through an exploration of the visual arts, natural and experimental movements, voice, stillness and theatre. Tolentino uses his experience in performance, multiple dance techniques, music, theatre, performance art, visual arts and Asiatic roots to create a play which conveys “how the body can speak mindfully and beyond space”.

To register and for more information please call 416-593-8455 or e-mail info@canasiandancefestival.com

Please visit www.canasiandancefestival.com for more information about the 2005 CanAsian Dance Festival!

Canada not ready to send response team to Asia crisis

OTTAWA (CP) - Although Canada's military keeps an emergency response team on standby to help in international disasters, it isn't "the right tool" to help victims of a devastating Asian earthquake and tsunami, federal officials said Tuesday.
"It seems the DART is not the right tool at this time," Col. Guy Laroche of the Department of National Defence told a Media briefing three days after the crisis hit. Officials were responding to criticisms that the Canadian Forces Disaster Assistance Response Team hasn't yet been sent to the region devastated by an earthquake that triggered massive tidal waves on Boxing Day.

Officials said they're not ruling out sending the DART team, which sets up a mobile field hospital, at some point.

But information is still coming in from the region and as yet, no government there has made a formal request to Ottawa for such help, officials said.

"We don't want to deploy something if it's not going to be useful," said Elissa Golberg with the Foreign Affairs department.

The DART team was last used five years ago to assist when a massive earthquake hit Turkey.

Its workings are complex, involving a kind of military field hospital that uses about 200 personnel including medics, engineers and security personnel.

Part of its expertise is in water purification, which is desperately needed in the stricken area that includes coastal areas from Sri Lanka to Thailand, India and parts of Indonesia.

But Laroche said that deploying the DART team isn't intended as a short-term response mechanism.

And it would take about 24 flights of a full Hercules aircraft to ferry the 200 DART personnel and all their equipment to the region, added Laroche, Coordinator for International Missions for DND.

Meanwhile, Canadian officials have been reviewing the DART program since fall - well before the current crisis - to find ways of making it more nimble, Golberg said.

"We've been evaluating this, even before the hurricane season in the Americas, to see how we might be able, for instance, to break it up into pieces so we can use it more frequently in the Canadian tool kit," she said.

"So these are things that have already been under active consideration by us."

© The Canadian Press, 2004

Tsunami death toll likely to surpass 100,000; aid rolls in

BANDA ACEH, Indonesia (AP) - From Indonesia to India, workers rushed to bury corpses to ward off disease Wednesday as cargo planes touched down with promised aid - from lentils to water purifiers - to help the region cope with its tsunami catastrophe. The death count across Asia and Africa soared to nearly 77,000 and aid officials said it was likely to surpass 100,000. Meanwhile, authorities getting their first glimpse of the devastated west coast of Indonesia's Sumatra island - nearest the epicenter of the massive quake and tsunami - said the area had been virtually wiped out.

"The damage is truly devastating," said Maj. Gen. Endang Suwarya, the military commander of Sumatra's Aceh province, who toured the west coast by helicopter.

"Seventy-five per cent of the west coast is destroyed and some places it's 100 per cent. These people are isolated and we will try and get them help."

The survey highlighted the dire need for the world's largest relief effort to speed up the deployment of aid to some of the 11 countries that were hardest hit by Sunday's massive, quake- driven walls of water - probably the deadliest in history.

With tens of thousands of people still missing, Peter Ress, operations support chief for the International Federation of Red Cross and Red Crescent Societies, said the figure for the dead and missing would be "absolutely enormous."

"I would not be surprised that we are over 100,000 dead when we start seeing what's happened in, particularly, (India's) Nicobar and the Andaman Islands," he said.

More than 500,000 are reported injured. The federation has so far been unable to assess the total number of missing people.

"We have little hope, except for individual miracles," Jean-Marc Espalioux, chairman of the Accor hotel group, said of the search for thousands of tourists and locals missing from beach resorts of southern Thailand - including 2,000 Scandinavians.

Indonesia's official death toll stood at 45,268, but authorities said this did not include a full count from Sumatra's west coast, where more than 10,000 deaths were suspected.

In one of first visits to the battered region, news crews flew over town after town in western Sumatra which were covered in mud and sea water. Homes had their roofs ripped off or were flatted. There were few signs of life, except for a handful of villagers scavenging for food on the beach.

Trucks dumped more than 1,000 unidentified bloated bodies into open graves on Sumatra and the navy sent a flotilla of ships to remote parts of the island.

With the threat of disease on the rise and few ways to identify the dead, there was no choice but to get the bodies under ground, said military Col. Achmad Yani Basuki.

Meanwhile, in a rare positive note, wildlife enthusiasts in Sri Lanka were surprised to see no evidence of large-scale deaths of animals - indicating that animals may have sensed the wave coming and fled to higher ground.

"Maybe what we think is true, that animals have a sixth sense," said Gehan de Silva Wijeyeratne, whose Jetwing Eco Holidays runs a hotel in the Yala National Park.

In another instance, a London-based woman told Britain's Press Association that a group of youngsters at a Phuket beach were saved when an elephant trainer placed them on the animal's back and led them to safety before the giant wave crashed ashore.

But there were few reports of miraculous escapes in India, where the death toll rose to nearly 7,000. Not included in the toll are some 8,000 who are missing and feared dead on India's remote Andaman and Nicobar islands, east of the mainland.

Sri Lanka put its toll Wednesday at nearly 22,500. Thailand said it had more than 1,800 dead and a total of more than 300 were killed in Malaysia, Myanmar, Bangladesh, the Maldives, Somalia, Tanzania and Kenya.

Aid groups struggled to head off the threat of cholera and malaria epidemics that could break out where water supplies are polluted with bodies and debris.

In Sri Lanka, four planes arrived in the capital bringing a surgical hospital from Finland, a water purification plant from Germany, doctors and medicine from Japan and aid workers from Britain, the Red Cross said.

Supplies that included 175 tons of rice and 100 doctors reached Sumatra's Banda Aceh. But with aid not arriving quickly enough, desperate people in towns across Sumatra stole whatever food they could find, officials said.

Widespread looting also was reported in Thailand's devastated resort islands of Phuket and Phi Phi, where European and Australian tourists left valuables behind in wrecked hotels when they fled - or were swept away.

An international airlift was under way to ferry critical aid and medicine to Phuket and to take home shellshocked travelers. Jets from France and Australia were among the first to touch down at the island's airport. Greece, Italy, Germany and Sweden planned similar flights.

Along India's southern coast, paramedics began vaccinating 65,000 tsunami survivors in Tamil Nadu state against cholera, typhoid, hepatitis A and dysentery, said Gagandeep Singh Bedi, a top government administrator.

"We have accelerated disposing of bodies to minimize the risk of an epidemic. Also, we have started spraying bleaching powder on the beaches from where the bodies have been recovered," said Veera Shanmuga Moni, a top administrator of Tamil Nadu's Nagappattinam district.

The world's biggest reinsurer, Germany's Munich Re, estimated the damage to buildings and foundations in the affected regions would be at least euro10 billion (US$13.6 billion).

Donations for recovery efforts came in from all parts of the globe.

U.S. President George W. Bush said his nation has joined with India, Australia and Japan in a coalition to coordinate worldwide relief and reconstruction efforts. He promised U.S. military manpower and long-term rebuilding assistance. He also called on Americans to donate cash to relief organizations to augment the response.

"This has been a terrible disaster. It is beyond our comprehension," Bush said from his Texas ranch in his first comments on the disaster. "We will stand with them as they start to rebuild their communities."

Elsewhere, taxi drivers in Singapore put donation tins in their cars. In Thailand, volunteers used trucks with loudspeakers to solicit donations of food and clothing and there were long lines to donate blood at the Red Cross.

Hong Kong's kung fu king Jackie Chan pitched in US$64,000 (euro47,000) to UNICEF, and Asia's richest man - Hong Kong tycoon Li Ka-shing - gave US$3.1 million (euro2.3 million) to relief efforts.

"The response has been overwhelming," said Avinash Singh Gill of India's embassy in Singapore, who was collecting for his country's mammoth recovery efforts.

© The Canadian Press, 2004

13 Canadians died on Thai beaches, officials say

Nearly 500 foreigners, including more than a dozen Canadians, were killed when the tsunami ripped through Thailand's southern tourist resorts, officials said Wednesday.

The Thai government said 473 foreign tourists from 36 countries have been identified among the bodies that litter shorelines around the island of Phuket, including 13 Canadians and 20 Americans.

Canada's Department of Foreign Affairs has only confirmed the deaths of three citizens so far, two in Thailand and a third in Sri Lanka. It said 69 Canadians are missing in total.

Ottawa's envoy to Thailand, Denis Comeau, said at least 40 Canadians have been confirmed missing in Thailand, but warned that officials don't know how many citizens were there.

"As most of these people don't register, we have no way of knowing," the ambassador said. "We know in the past 36 hours, there are about 170 people that we've found."

Thailand's announcement came as the confirmed death toll in the 11 countries hit by Sunday's combined earthquake and tsunami disaster climbed on Wednesday to more than 68,000.

Thai Interior Ministry officials said the waves that wiped out scores of packed restaurants, bars and hotels on its southern beaches hit Sweden hardest. The Scandinavian country lost 54 citizens, followed by Germany at 49 and Britain at 43.

Thailand's official death toll stands at 1,574, but officials expect that tally to jump dramatically. Emergency workers found several thousand bodies on Tuesday along the coast north of Phuket at Khao Lak.

The stretch of beach lined with five-star resorts suffered the worst damage seen anywhere in Thailand. A number of resorts were completely destroyed, along with many of their estimated 5,000 guests.

Soldiers and rescue workers spoke of finding bodies on rooftops and in the trees, as well as more than 1,000 bodies that washed up on the beach and lay baking in the sun.

Bulldozers and backhoes are digging through the mud and uprooted trees looking for more victims.

An Indonesian military official said Wednesday that the waves destroyed three-quarters of the western coastline of the island of Sumatra.

"The damage is truly devastating," Maj.-Gen. Endang Suwarna told the Associated Press. "Seventy-five per cent of the west coast is destroyed, and some places it's 100 per cent. These people are isolated and we will try and get them help."

Indonesian officials said the number of confirmed dead there has topped 32,000, but warned that the number will likely rise further as rescuers reach remote areas.

In a bid to ward off diseases, crews readied bulldozers to dig mass graves Wednesday for thousands of bodies rotting on Sumatra, which took a double hit Sunday as the quake shifted it by about 30 metres and waves swept as far as five kilometres inland.

Nearly 100 doctors arrived Wednesday in the northern province of Aceh, and said they would be setting up four hospitals across the province, which was the area damaged the most in the disaster.

Thousands of people are injured while millions remain homeless in the countries affected by the disaster.

A top World Health Organization official says the threat of disease could take just as many lives as the quake and tsunamis unless clean water and medicine arrive soon.

Sri Lanka on Wednesday listed more than 21,700 people dead, India close to 4,500 -- with 8,000 missing and feared dead. Hundreds more were confirmed dead in Malaysia, Myanmar, Bangladesh, the Maldives, Somalia, Tanzania, Seychelles and Kenya.

Friday, December 24, 2004

SEASON'S GREETINGS!

We wish you and your loved ones the very best this holiday season.
Merry Christmas from Asiancanadian.net!

Children’s Author to Donate 1,000 Copies of Christmas Story for Sick Kids

Award-winning author and illustrator Trevor Lai is planning a big surprise to bring holiday cheer to hospitalized children across Canada – the 24-year-old has written and illustrated a special Christmas story and will be donating 1,000 copies of the book to kids in need this December. Titled “Ralphy’s Wish”, the story features the character that launched Trevor’s successful publishing career at the age of 17 – Ralphy the Rhino.

“Ralphy’s stories have always been centred on positive themes like the power of imagination and friendship, so it was natural to create a story where he helps other kids in need,” the author of the best-selling series explained.

This year, the Vancouver-born creator will be sharing his new holiday story while on a special Christmas tour through children’s hospitals and care centres from December 14th – 31st.

One of his most exciting stops this season will be to Toronto Sick Kids Hospital. On December 16th, Trevor will be joining the famed 400 Tactical Helicopter Squadron in a special visit to Canada’s largest pediatric hospital. A helicopter bearing the special callsign “Rudolph” will land on the hospital roof with toys and Trevor’s newest book for the kids.

The author will deliver hundreds of copies of “Ralphy’s Wish List” and read his new Ralphy story alongside Canadian astronaut, Captain Terry Wong. The presentation will be broadcast on closed-circuit TV to the entire hospital, with an estimated 500 kids, parents and staff tuned in. In addition, print and television media will be there to record the experience and share it with readers/viewers across the country.

Trevor is currently accepting invitations from children’s care centres and youth organizations who wish to have him provide some hope and inspiration for their kids this holiday season through his storytelling presentations (at no cost).

Toronto printer Mediavision International has already come onboard as a major supporter by sponsoring the first print run of “Ralphy’s Wish List”, which will enable Trevor to meet his initial goal to donate at least 1,000 books to kids in need in British Columbia and Ontario.

Children’s organizations interested in having Trevor share his story with their kids can contact the author directly at 604-313-7117 or trevorlai@gmail.com

More information about Trevor and his popular Ralphy the Rhino series can also be found on the Web at www.ralphy.ca

Co. ERASGA Dance Society

Winter E-news (December 20, 2004)

The 2004 year was one filled with exciting projects and continuous building of our core artistic foundation and community support.

Alvin Erasga Tolentino’s Artist-in-Residence began in September, and is now in full swing with rehearsals and collaboration with the Nishihara Kage Duo. The plans are now being solidified for a series of events which will begin in May of 2005 and continue until August of 2005. The new dance creation being made specifically for the residency is entitled OrienTik/Portrait and will feature two dancers: Andrea Nann and Alvin Tolentino, along with Vancouver’s experimental taiko drummer, Eileen Kage, and pianist Alison Nishihara.

Key dates and departures:

Ø Alvin Erasga Tolentino is currently in France, networking with potential European presenters from December 9th onwards; Tolentino will return home on January 5th, 2005.

Ø Co. ERASGA will participate in Dances for a Small Stage at Crush Champagne Lounge, Vancouver, BC on January 18 & 19, 2005 with an excerpt of new work. Visit www.movent.ca/dances for detailed information.

Ø The world premiere of She Said will grace the stage from February 9-12, 2005 at The Firehall Arts Centre, Vancouver, BC. The show will feature three of Vancouver’s most compelling dancers: Anne Cooper, Delia Brett and Caroline Farquhar. For detailed information, visit www.firehallartscentre.ca and click on upcoming events.

Ø Lastly, Co. ERASGA will participate in the CanAsian Dance Festival from February 19-27, 2005 at Premiere Dance Theatre in Toronto, ON. Tolentino will perform his work and teach professional workshops during the event. For detailed information, visit www.canasiandancefestival.com.

For any inquiries on future shows and events, feel free to contact
Co. ERASGA office at 604-687-6185 or email: info@companyerasgadance.ca

And last but not least, visit our new website and homepage: www.companyerasgadance.ca

Fountain - Featuring Mixed Media Works by Tomoyo Ihaya

January 14 - March 11, 2005

Art Beatus (Vancouver) Consultancy Ltd. is pleased to present Fountain, a special collection of mixed media works by featured artist, Tomoyo Ihaya from January 14 to March 11, 2005. Primarily working in the area of printmaking and drawing, Tomoyo combines, ink, collage, and watercolour, amongst other types of media onto Japanese paper-covered panels. While the artist's works impart a gentle, uplifting feeling, they also give way to deeper thought, concentrating on the environmental theme of water, its necessity to all living creatures, and its nurturing of the spirit. Along with Tomoyo’s two-dimensional pieces will be a charming installation of fleece and clay figures which resemble some of her subjects on paper. Whether it be illustrations of raindrops nourishing playful animals, streams, oceans, or water contained in vessels, Tomoyo's artworks will quench the thirsts of audiences, leaving viewers with a feeling of peace, happiness, and rejuvenation.

“We drink water to nurture our spirit. We continuously search for a hidden fountain. For me, water is a symbol and metaphor for both visible and invisible essentials in our lives. We drink water, we water plants and trees, float in a stream and swim in the sea. When we are truly mindful, these everyday activities may seem to take on a deeper significance. Drawing images of water, in the same way, can evoke something beyond the ordinary”.

Ihaya attended the Fine Arts Program at Mount Allison University in New Brunswick in 1995, and Emily Carr Institute of Art & Design in Vancouver in 1996. She later worked at the Malaspina Printmakers Society in Vancouver and went on to receive her MFA after graduating from the Studio Art Program at the University of Alberta in 2002. Not only have Tomoyo’s works been shown in major national and international print exhibitions, she has received numerous awards and grants including several honorable mentions from the Ernst & Young Great Printmaking Competition and the Second Place award from the Ernst & Young Printmaking Competition in 2001. Her work can be found in public collections throughout the world.

Art Beatus, with a location in Vancouver, Canada and two locations in Hong Kong, showcases international art with a focus on contemporary Chinese art.

Art Beatus (Vancouver) is located in the Nelson Square Office Tower at 108 – 808 Nelson Street. For more information, please contact Media Relations, Tamla Mah by email to info@artbeatus.com or by telephone at 604.688.2633

Clarkson wields budget scalpel to meet restraint target imposed by MPs

OTTAWA (CP) - The Governor General is cutting back on winter parties, staff training courses and renovation plans. The office of the secretary to Adrienne Clarkson announced the restraint measures on Christmas Eve, in response to a budget cut imposed earlier this month by Parliament.

Winter parties for the diplomatic corps, the media and parliamentarians which usually take place early each year will be cancelled.

But an annual winter celebration at Rideau Hall for the general public will still take place.

Also being chopped is a program to encourage Canadians to nominate fellow citizens for national honours such as the Order of Canada.

"In making these decisions, the priority for the office is to minimize the impact of these reductions on Canadians," the Rideau Hall press office said in a statement Friday.

Clarkson's spending habits and penchant for international travel raised some eyebrows during the last year.

Those also prompted the Commons government operations committee in early December to trim her office's budget for the final quarter of 2004-2005 by more than $400,000, or about 10 per cent.

Clarkson's overall annual budget totals about $19 million. Other departments help pay for other expenses related to the Governor General's duties, such as providing security and travel arrangements.

New Democrat MP Pat Martin, a critic of Clarkson's spending, has suggested the Queen's representative would not have difficulty making ends meet despite the cuts.

"It's not too much to ask for the Governor General to have to switch brands of caviar and find a more efficient way of running Rideau Hall," Martin said at the time of the budget cut.

In September 2003, Clarkson and dozens of prominent Canadians embarked on a promotional tour of Russia, Finland and Iceland.

Even though Foreign Affairs - not Clarkson's office - covered the multimillion-dollar tab, opposition critics and commentators took her to task.

Debate over the merits of the northern jaunt snowballed into a national discussion about the worthiness of Clarkson's pursuits.

Some applauded her energy and willingness to meet and greet people in all corners of Canada and abroad. Others took her to task for what they considered lavish excess.

Other reductions announced Friday by her office include:

-Cancellation of research and preparatory work on a Rideau Hall educational exhibition for 2005.

-Elimination of professional training courses for staff, particularly in computer skills.

-Postponement to next year of a plan to modernize office equipment and facilities.

-Suspension of office supply purchases.

-Adjustments to the format of Bravery Awards and the Order of Canada investitures already scheduled for February and March.

Rideau Hall did not elaborate on the planned changes to the award ceremonies. A spokeswoman for the office of the secretary did not return phone calls.

© The Canadian Press, 2004

Commons plans hearings on Canadian film industry

OTTAWA (CP) - A road trip is in the works for the House of Commons heritage committee charged with studying the Canadian feature film industry. The committee, chaired by Marlene Catterall, will hold public hearings next year in Ottawa, Vancouver, Toronto, Montreal and Halifax. In a statement, the committee says its terms of reference call for a comprehensive study of the federal government's role in support of the industry.

In particular, it will look at the influence and effectiveness of the government's feature film policy, as well as the "structure and effectiveness" of tax credits and the Canadian Television Fund and organizations such as Telefilm Canada and the National Film Board.

Among other things, it intends to identify which policies have helped develop "talented creators," foster quality in filmmaking and build larger audiences at home and abroad.

Earlier this week, the Ontario government announced a $48-million package of tax credits for the film and television industry, which has experienced tough times in the past year due in part to increased competition from other jurisdictions.

Groups and individuals that wish to appear before the federal heritage committee are asked to submit briefs - no more than 10 pages in length - by Feb. 4. The committee plans to report to the House of Commons by June 23.

© The Canadian Press, 2004

Wednesday, December 22, 2004

Ont. film, TV industry applauds $48-million package

TORONTO (CP) - Actors, producers and others working in Ontario's film and television industry are applauding a $48-million package of tax credits announced Tuesday by Finance Minister Greg Sorbara. "The more than 20,000 people who work in Ontario's film and television business were given their future back today," said Brian Topp, executive director of the unionized Alliance of Canadian Cinema, Television and Radio Artists.

Topp told 200 colleagues packed into a huge set at the Toronto Film Studios for Sorbara's announcement that the tax credits will pay off in greater stability for the Ontario sector and in greater competitiveness in the global production industry.

"That's excellent news for working people in the film and television industry and for the province of Ontario," Topp said.

Sorbara received a standing ovation from people who are usually on the receiving end of such displays after he announced Ontario's Film and Television Tax Credit for domestic productions would increase from 20 to 30 per cent.

He said Ontario will also increase tax credits for foreign productions from 11 to 18 per cent, and maintain a 10 per cent regional bonus credit on productions based in Ontario, but shot outside the Greater Toronto Area.

"This will have an immediate impact by drawing more production to Ontario," Sorbara said.

The tax credits still have to be approved by the legislature, but veteran actor Gordon Pinsent said he doubts the government will back down after 1,000 film and TV workers staged a huge protest at Queen's Park in early December.

"I have a feeling it's going to go straight through this time because they know we can act, and act fast, to get our problems out in front (of the media)," Pinsent said. "They've solved a beauty today. This is going to be the best year I've put in in a long, long time."

Other actors agreed with Pinsent's upbeat assessment of the impact of the increased tax credits on the domestic industry, which has been struggling since last year's SARS outbreak and this year's sharp rise in the value of the Canadian dollar.

"We just haven't had jobs here in the province, and I know several people who have lost their houses, people who are really desperate," said actress Shirley Douglas.

"We needed this very badly."

Culture Minister Madeleine Meilleur acknowledged the challenges the Ontario industry has faced, including stiff competition from other jurisdictions.

"Ontario's stature as one of North American's largest film centres has been seriously eroded," Meilleur said.

"We can't allow that trend to continue."

Deputy NDP leader Marilyn Churley, who represents the riding where most of Toronto's film industry is centred, took credit for convincing Sorbara to meet with industry representatives Dec. 8, after which he agreed that the situation was urgent.

"He didn't get it, and I knew if he sat down face to face and heard what the impact would be, that they would cave and keep their promise," Churley said. "It's just a no-brainer."

The Conservatives also lauded themselves for forcing the Liberal government to help the industry.

"Days of questions, statements in the house and constant pressure has finally gotten this government to move," said Conservative Leader John Tory.

Sorbara said Tuesday's announcement surpasses what the Liberals promised during last year's election campaign, and should lead to 10 to 15 per cent growth in Ontario movie and television productions next year.

© The Canadian Press, 2004

Toronto Reel Asian International Film Festival

The Toronto Reel Asian International Film Festival seeks dynamic individuals for two exciting job opportunities.

In 2005, the Toronto Reel Asian International Film Festival will celebrate its 9th Anniversary with a commitment to showcasing the best in Asian Cinema short and feature length film and video with an Asian Canadian Artist Spotlight as well as a featured Country Spotlight over five days.

"Best Small Festival - Reel Asian strikes the best balance between cutting edge and community. Strong programming and deep roots attract a super-hyphenated tribe." - NOW Magazine

Position 1: Executive Director
Reel Asian seeks a self-motivated individual who thrives in a challenging environment and has a proven commitment to both the non-profit arts sector and is ready to take on a management level position.

Responsibilites include (but are not limited to):
Developing and implementing the artistic vision and mandate of Reel Asian, in conjunction with the Programmer and with the approval of the Board; managing all business affairs, from the writing of public and private grants, overseeing corporate and in-kind sponsorships of all kinds, developing and managing the budget, to preparing for the annual audit. General administrative duties including: office management and supervision of all staff and volunteers. Maintaining and developing Reel Asian's community profile, including development of marketing, publicity and promotional strategies and supervising all production details of the festival 'event' itself. You will act as the primary liaison between staff and Board of Directors.

Qualifications:
An ideal candidate would have a familiarity with both media arts exhibition and Asian film and video (from North American-Asian artists to international Asian cinema) and also possess the following skills: exceptional organizational skills, with the proven ability to set and meet and deadlines as well as prioritize; advanced interpersonal skills and the ability to deal with a wide variety of people including the general public, clients, staff, and the corporate sector; superior written and verbal communication skills; a working knowledge of how to apply and liaise with the appropriate public and private granting agencies; ideas for corporate development strategies, and familiarity with a number of software applications. Interested applicants should have a minimum of 1 year supervisory experience - preferably in the arts; experience in providing leadership and proven event management skills and University degree, College diploma or equivalent education and experience.

SALARY: similar to other not-for-profit arts organizations, commensurate with experience. Deadline for applications is January 10, 2005.

To Apply:
A resume, cover letter, and a list of three references should be received by January 10, 2005. Please indicate in your cover letter where you saw this posting. Interviews will be held in Toronto during the period: January 17-21, 2005. We regret that only those applicants short-listed for interviews will be contacted.

Position 2: Programmer
Toronto Reel Asian International Film Festival seeks a resourceful, enthusiastic, self-motivated individual who has a broad knowledge of Asian film and video, a passion for programming, and a demonstrated commitment to non-profit arts organizations.

Responsibilities include (but are not limited to):
Researching, soliciting and selecting films/videos for presentation during the festival, including active outreach efforts to source out new work. Programming the International Country Spotlight and the Canadian Artist Spotlight; co-programming feature films with the executive director (ED); co-programming and organizing of industry panels with ED. Shorts: Supervising and working with the short-film screening committee and finalizing short-film programs. Print Traffic: supervising film bookings and, where needed, acting as a liaison with distributors and with participating artists in order to lock programming details. Writing: writing/editing program notes for all work presented, including industry sessions and panels. Publicity: collaborating to develop PR materials as needed, participating in programming-related aspects of RA publicity (i.e. conducting interviews with print, television and radio press), working with the publicist to service media requests for materials and information. Guests: participating in guest-relations duties during the festival, with the aim of building relationships with artists and industry contacts on behalf of RA. Reports: maintaining detailed programming log on an ongoing basis and presenting regular updates to board; delivering at end of contract a full report (all contacts, leads, research and recommendations), presenting report at post mortem.

Qualifications:
The ideal candidate will have the following qualifications: a solid working knowledge of Asian and Asian-North American film and video and relevant programming experience, contacts and resources to do extensive research/outreach in order to actively solicit local and international submissions, a proven commitment to the non-profit arts sector and media exhibition; familiarity with the challenges of working with a small, event-based organization, experience writing about film/video, with writing samples submitted, experience with public speaking and facilitating post-screening Q&A and a keen willingness to "do whatever it takes to get the job done" and work as part of a small but dedicated team.

SALARY: similar to other not-for-profit arts organizations, commensurate with experience. Deadline for applications is January 10, 2005.

To Apply:
A resume, cover letter, and appropriate writing samples should be received by January 10, 2005. Please indicate in your cover letter where you saw this posting. Interviews will be held in Toronto during the period: January 17-21, 2005. We regret that only those applicants short-listed for interviews will be contacted.

Please email or mail your application to:
REEL ASIAN - HIRING COMMITTEE, 401 Richmond St. West #309, Box 146, Toronto, ON. M5V 3A8 executivedirector@reelasian.com

Chinese Canadian National Council Toronto

Just a note that art submissions to the Chinese Canadian National
Council Toronto Chapter's (CCNCTO), 3rd art auction fundraiser has been
extended to Jan 17, 2005.

The holiday season is incredibly busy and artists are asking for more
time. Please spread the word to all artists as proceeds raised will
support our non-profit, the Homeworkers' Association (HWA), that helps
garment workers in Toronto. Exploited garment workers is not just a
problem in a distant Asian country; it's right here in Toronto as well.
The HWA is fully sustained by CCNCTO.

CCNCTO always needs volunteers! To get involved, contact:

Barnett Chow
Youth Coordinator
Chinese Canadian National Council Toronto Chapter
Suite 124, 215 Spadina Ave., Toronto, ON, M5T 2C7
Tel: 416.596.0833 x2
Fax: 416.979.3936
www.ccnctoronto.ca

About CCNCTO:
The Chinese Canadian National Council Toronto Chapter (CCNCTO) is an organization of Chinese Canadians in the City of Toronto that promotes equity, social justice, inclusive civic participation, and respect for diversity.

Vancouver commits to future as a Creative City

At last week's regular Council Meeting, Council unanimously approved an initiative to reinforce the City's role in the development of the arts, culture, community celebrations and special events in Vancouver.

The Creative City Task Force will be chaired by Councillor Jim Green with Councillor Raymond Louie as Vice-Chair. Councillor Ellen Woodsworth will also sit on the committee which will include five community representatives nominated by the Alliance for Arts and Culture, senior staff from various city departments, the Vancouver Board of Parks and Recreation, and Vancouver Public Library. A stakeholder consultation process will commence in January with a report back to Council in March, 2005 outlining a strategic plan, goals and objectives. Approval was also given to create a position to manage the City's collective interests in the cultural and creative sectors who would co-chair the Creative City strategic planning process.

Recognizing that the arts, culture and creativity contribute to economic as well as social sustainability, and in anticipation of the opportunities that hosting the 2010 Olympic and Paralympic Winter Games will provide to the local creative sector, City Council also approved a commitment to establish a new base level of cultural investment in 2005 to be determined in conjunction with the strategic planning and budget processes.

"We are already widely respected as being a creative city known for our cultural diversity and vitality," states Burke Taylor, Director of the City's Office of Cultural Affairs. "But now is the time, and the Creative City Task Force is the way, to engage the broader community and capitalize on our creative strengths for the benefit of all."

Approval was also given to renew the Cultural Presentations at Council Meetings initiative. The program is open to individual artists and arts and cultural organizations in all disciplines, at the community, emerging and professional levels. The application process is administered by the Greater Vancouver Alliance for Arts and Culture.

In 2004, 22 diverse performances were presented at the start of regular Council meetings. These featured music, dance, spoken word and theatre.

Media contact:
Burke Taylor
Director, Office of Cultural Affairs
City of Vancouver 604-871-6004

Rasik Arts

Rasik Arts is an organization devoted to South Asian theatre providing
education, entertainment and a rich cultural exchange to communities in
Canada and abroad. Each season, we produce fully staged performances,
less formal staged readings, and host monthly "Roundtables" where actors
and non-actors meet to read plays. We also present workshops and
lectures. All of our work is presented in English.

Rasik Arts is currently completing a three year Strategic Plan and is
seeking a part-time General Manager to lead, with the Artistic Director,
the implementation of this plan and to manage the day-to-day operations
of the organization.

The General Manager will work 3 days per week, reporting to the Board of
Directors and working closely with the Artistic Director, artistic
associates and other contract staff and volunteers. .

Responsibilities:

Reporting to the Board of Directors
Working with the Artistic Director
Working with Volunteers
Create and maintain company budgets
Manage internal administrative needs

Qualifications:
Minimum 3-5 years of relevant working experience in the performing arts.
Knowledge and proficiency in budget management
Experience working with Board of Directors
Excellent verbal and written communication skills
Word processing, spreadsheets, and internet use
Excellent time management and organizational skills with a keen
attention to detail
Ability to work independently to set and meet deadlines
Familiarity with database and accounting systems
Willingness to work from a home office is required.

Compensation: The salary for this position will be in the $24,000 -
$26,000 range

This is a one-year contract with the possibility of becoming a permanent
position by the end of 2005.

Deadline: Send resume/cover letter by December 30, 2004

Contact Information:
Dr. Sally Jones, Artistic Director
Rasik Arts

406-580 Christie Street
Toronto, Ontario M6G 3E3
Phone: 416-654-9231
E:mail: rasikarts@rogers.com
Website: www.rasikarts.com

Shakespeare in the Rough

Shakespeare in the Rough is currently accepting resumes for auditions
for our annual summer production in Withrow Park.

This year's show (The Merchant of Venice) will be directed by the
company's Artistic Director, Sanjay Talwar.

Auditions will be held in late February.

Those selected for an audition will be asked to prepare one
Shakespearean monologue.

Please mail your photo and resume to:

Shakespeare in the Rough Auditions
C/o 122 Spencer Ave, #11
Toronto ON M6K 2J6

DEADLINE FOR SUBMISSIONS: February 4, 2005

Shakespeare in the Rough is a strong proponent of both cross-gender and
cross-cultural casting. Equity members will be seen first at all open
audition calls. Shakespeare in the Rough intends to apply to Equity to
produce "The Merchant of Venice" under the Independent Artists Project
(Indie) Policy.

Sunday, December 19, 2004

In the Shadow of Gold Mountain

The National Film Board's In the Shadow of Gold Mountain
will have its television premiere on CBC Newsworld's Rough Cuts
on Tuesday, Jan. 11 at 10 pm ET/PT, with a repeat broadcast on
Friday, Jan. 14 at 10 pm ET/PT.

In the Shadow of Gold Mountain (a film by Karen Cho) uncovers
stories from the last living survivors of the Chinese Head Tax and
Exclusion Act, which lasted from 1885 until 1947. These personal
accounts of extraordinary Chinese-Canadians who survived the era are
stories of unwavering personal strength, of families torn apart and
of a community's struggle for civil rights and redress.

CHINESE-CANADIAN YOUTH ANTHOLOGY AND EMERGING TALENT SHOWCASE

1) YOUTH ANTHOLOGY
Deadline: January 31st, 2005 (submissions must be in by 5:00 pm)

How does it feel to be a Chinese Canadian youth? What does it mean
to you? The Chinese Canadian National Council is currently seeking
writings on or by Chinese Canadian youth (less than 30 years of age)
across Canada about their experiences and perspectives. As part of
the Chinese-Canadian Culture Online Project, selected writings will
be featured online in our anthology on Chinese-Canadian youth
experces. The upcoming Chinese-Canadian Culture Online Project aims
to showcase the history, experiences, contributions and talents
of Chinese-Canadians. It will be launched in the spring of 2005.

Whether it is about growing up in the Canadian countryside to how it
was like to immigrate to Canada, or how to make your own version of
bubble tea or pepperoni pizza, we want your stories! We want to
showcase your talent! Be Creative!

We are accepting (but not limited to) the following types of
writings:
-short stories
-personal experiences/essays
-poetry
-spoken word
-other

Each applicant can submit one submission with a maximum of 1500
words. Selected writers will receive an honorarium for their
submissions. A personal profile of no more than 100 words must
accompany each submission. Applicants may submit a description of
no more than 100 words about their piece. Selected submissions will
be notified by the end of February 2005.

2) EMERGING TALENT SHOWCASE
Deadline: January 31st, 2005 (submissions must be in by 5:00 pm)

Attention all singers, dancers, comedians, actors, filmmakers,
designers, writers, and artists!!! We want to showcase your talents
across Canada! The CCNC is currently seeking submissions by
emerging Chinese-Canadian talents across Canada to showcase on our
upcoming Chinese-Canadian Culture Online Project website. The online
project aims to showcase the history, experiences, contributions and
talents of Chinese-Canadians across the country! It will be launched
in the spring of 2005.

Whether it is ballet to hip-hop music, or space-age fashion designs
to one-act plays, we want to showcase your talent! We want to
show everyone how wonderful your creations are!

We are looking for (but not limited to) cultural creators from the
following genres:
-Music
-Art/Design
-Writing
-Dance
-Film/Video
-Acting
-Fashion
-Web/New Media
-Other

Each applicant can submit up to five creations/documentations: be it
songs, writings or design images (Please do not submit original
works as they will not be returned. Preference for digital formats.)
Selected talents will receive an honorarium for their submissions. A
personal profile of no more than 100 words must accompany each
submission, along with a C.V. (maximum 3 pages) and a personal
statement of no more than 250 words. Selected submissions will be
notified by the end of February 2005.

To submit or for more information:
Chinese Canadian National Council
302 Spadina Avenue, Suite 507
Toronto, Ontario M5T 2E7

Phone: (416) 977-9871
Fax: (416) 977-1630
Website: http://www.ccnc.ca or http://www.ccnc.ca/cccop
E-mail: national@ccnc.ca

CHINA BANS BLASPHEMOUS NIKE COMMERCIAL

China has banned a Nike television commercial for not "upholding
national dignity and interest, and respecting the motherland's
culture" and because it "blasphemes national practices and
cultures," the Associated Press reports. The ad is part of Nike's
international marketing campaign for Nike Basketball that uses
symbolism from traditional Chinese culture including dragons, stone
lions, goddesses, Yin Yang, and Buddhas.

The commercial features NBA player LeBron James battling against villains representing "Hype," "Temptation," "Haters," "Complacency," and "Self-doubt."
Both U.S. and foreign audiences watch the commercial narrated in Mandarin Chinese with subtitles.

Watch the Nike commercial and link to news articles at:
http://www.asianmediawatch.net/nike/

LATINO AND ASIAN AMERICAN ROLES DROP IN NETWORK TELEVISION

"The [social] landscape that the [television] networks imagine,
create, and produce is one with an over-representation of whites and
African Americans in highly segregated programming, coupled with a
remarkable under-representation of Latinos, Asian Americans, Middle
Eastern Americans, and Native Americans," a UCLA study concludes.
The study by the UCLA Chicano Studies Research Center examines Fall
2004 programming on six television networks: ABC, CBS, FOX, NBC, UPN, and WB.

The studies shows that are no Asian American regular characters in
any of the eight primetime television series set in Los Angeles --
this despite Los Angeles County being 12% Asian American says study
by the UCLA Chicano Studies Research Center. Latinos, the key focus
of the study, account for only 14% of total regular characters in
L.A.-based shows although the county is 45% Latino.

The full 25 page research report is available at:
http://www.chicano.ucla.edu/press/reports/default.html

DIVERSITY ARTICLE

Craig Takeuchi's article on diversity (meaning multiculturalism,
gender equality, etc.) in film and TV is featured in The Georgia
Straight (Vancouver): http://www.straight.com/content.cfm?id=6873

Craig notes that there were a number of things he couldn't fit into
the tight word count, including the fact that Native people are
almost invisible on Canadian TV.

HOUSE OF FLYING DAGGERS

Opens December 17, 2004 in Toronto, Vancouver and Montreal
Opens December 24, 2004 in Calgary, Edmonton, Ottawa, Hull, and Quebec City
Locations and times TBA

Mongrel Media brings you one of the most anticipated films of the
year: House of Flying Daggars. The year is 859 AD and China's once
flourishing Tang Dynasty is in decline. Unrest is raging throughout
the land and the corrupt government is locked in battle with rebel
armies that are forming in protest. The largest and most
prestigious of these is the 'House of Flying Daggers', which is
growing ever more powerful under a mysterious new leader. Two local
captains, Leo (Andy Lau) and Jin (Takeshi Kaneshiro) are ordered to
capture the new leader and the two hatch an elaborate plan. Captain
Jin will pretend to be a lone warrior called Wind and rescue the
beautiful, blind revolutionary Mei (Zhang Ziyi), from prison,
earning her trust and escorting her to the secret headquarters of
the House of Flying Daggers. The plan works, but to their surprise,
Jin and Mei fall deeply in love on their long journey to the House.
Danger lurks in the forest surrounding them, and the wind is still,
as if sensing the tension in the air. What lies ahead for Jin and
Mei, these star-crossed lovers? If this is true love, then why are
there plots in their heads...and secrets in their hearts?

Please visit the website, http://www.mongrelmedia.com/daggers for
more details on screenings and to enter their contest!
See also http://www.houseofflyingdaggersmovie.com

LITTLE DRAGON

Preview: January 4, 2005
Runs: January 6 - 30
Tuesday - Saturday at 8:00 pm
Sunday matinee at 2:30 pm
Theatre Passe Muraille's Mainspace
16 Ryerson Avenue, Toronto

K'Now Theatre and Theatre Passe Muraille (TPM) are pleased to
present the world premiere of Little Dragon, the highly anticipated
biting comedy from K'Now Theatre's Artistic Director Keira Loughran.
Little Dragon is a fierce and physical comedy about a young Chinese-
Canadian woman who enters university and ends up pursuing an
education in herself. When she's introduced to martial arts, she
soon finds herself battling a history of family secrets and long-
repressed pain. Could it be true? Was the father she never knew
actually Bruce Lee? Combining theatre, martial arts and contact
improvisation, this thrilling play is a story of longing, belonging
and embracing who you are. With its unique, dynamic style and
engaging narrative, Little Dragon challenges both Asian and
Caucasian perspectives while brimming over with humanity and pathos.

Ticket Prices:
-Previews: $16
-Sundays: Pay-what-you-can ($16 if booked in advance)
-Tuesday through Thursday: $25
-Friday and Saturday: $34
-A limited number of same-day $10 rush tickets are available
Tuesday - Saturday, in person beginning at 12 noon.

Call the ARTS BOX OFFICE at (416) 504-7529 or visit
http://www.artsboxoffice.ca

KAI CHAN: A WALK IN THE WILDERNESS

Present - January 2, 2005
Textile Museum of Canada
55 Centre Ave (Dundas & University at St. Patrick Subway)Toronto

A Walk in the Wilderness features new works by Toronto-based artist Kai Chan that relate to artifacts Chan has selected from the Textile Museum's permanent collection. The exhibition is an investigation of identity and how it is shaped through environments, rituals, space and time. The works reflect a personal journey, referencing the artist's homes in Hong Kong and China, his travels abroad and his current home in Toronto.

The reusable and readily-available nature of the artist's materials, which include toothpicks, plastic shopping bags, incense sticks and burnt wood, is of great significance to Chan and his artistic practice.

For more information, visit our Web site at http://www.textilemuseum.ca
or contact us:
Phone: 416-599-5321
Fax: 416-599-2911
E-mail: info@textilemuseum.ca

Museum Hours:
Tuesday, Thursday, Friday: 11 am - 5 pm
Wednesday: 11 am - 8 pm
Saturday & Sunday: 12 pm - 5 pm

GUNG HAGGIS FAT CHOY EVENTS

Various dates and locations (see below for details) Vancouver

Gung Haggis Fat Choy events will be:

1) December 31, 2004
First Night Vancouver
QE Plaza & CBC Plaza

2) January 17, 2005
Gung Haggis Fat Choy World Poetry Night
Vancouver Public Library

3) January 28, 2005
SFU Gung Haggis Fat Choy Highland Games
Simon Fraser University

4) January 30, 2005 (6 pm)
Gung Haggis Fat Choy: Toddish McWong's Robbie Burns Chinese New Year Dinner
Floata Restaurant - 180 Keefer Street, Vancouver

Toddish McWong's Robbie Burns Chinese New Year Dinner blends together
Scottish-Canadian and Chinese-Canadian cultural traditions, as well
as creating some new ones. This "little" fundraiser dinner for Asian
Canadian Writers' Workshop and the Gung Haggis Fat Choy dragon boat
team once started out as a dinner for 16, and now 700 are expected
for dinner on January 30, 2005. Special co-host for 2005 will be
Shelagh Rogers, host of CBC Radio's Sounds Like Canada. Joining
them as co-host will be Tom Chin of Vancouver Asian Canadian
Theatre. Performers for the event include bagpiper Joe McDonald
and his band Brave Waves and contemporary hip-hop songstress LaLa.
Also joining them are opera soprano Heather Pawsey; Governor
General's Award-winning poet Fred Wah; Scottish Highland dancing
brothers Vincent and Cameron Collins and many more special guests
such as Vancouver Mayor Larry Campbell.

Tickets for Gung Haggis Fat Choy are now on sale at Firehall Arts
Centre Box Office: (604) 689-0926. The earlybird price is $50
regular, $45 for students, $35 for children 12 and under. After
January 2, the regular price is $60 and $55 for students, $45 for
children 12 and under.

For more information, check out http://www.gunghaggisfatchoy.com or
contact Todd Wong at:
Phone: (604) 987-7124
E-mail: gunghaggis@yahoo.ca

TIS THE SEASON!

Present - January 8, 2005
Art Beatus
Nelson Square Office Tower
108 - 808 Nelson Street, Vancouver

Art Beatus is pleased to present a special collection of works to
carry us from the smoky days of autumn into the cool, crisp days of
winter. Featured works will include ink paintings by Qin Feng, ink
paintings by Taiga Chiba, etchings by Toru Sugita, and photographic-
based media by Kumiko Yakusawa.

For more details on the collection and its artists, please visit our
website: http://www.artbeatus.com

Parking for Art Beatus can be located underneath the Nelson Square
Office Tower. For more information, please contact Media Relations,
Tamla Mah by email to info@artbeatus.com or by telephone at 604-688-2633.

DR. SUN YAT-SEN CLASSICAL CHINESE GARDEN EVENTS

Various dates and times
578 Carrall Street, Vancouver

1) 24 Days of Winter Peace in a Chinese Garden
Present - December 24, 2004

To thank our community friends and partners for their continued
support, the Dr. Sun Yat-Sen Classical Chinese Garden will be open
by donation (no regular admission applies). Treat yourself, family,
and friends to stroll through our landscape masterpiece. Enjoy
complimentary tea, join a guided tour to discover the symbolic
significance of the Garden's elements and see an art exhibition by
talented local artists.

2) Oriental Arts Club Group Exhibition
Present - December 30, 2004

Founded by Margaret Chinn, students from the Oriental Arts Club will
share their passion for Chinese painting techniques and styles in a
group exhibition that celebrates the winter solstice.

3) Winter Solstice Lantern Procession
December 21, 2004 (6:30 - 10 pm)

In China, the winter solstice festival, dong zhi, is a time when
friends and family gather together, exchange gifts, and eat, drink,
and laugh long into the deep, dark night to mark the rebirth of yang
qualities of light and warmth as winter waxes and spring
approaches. Enjoy a magical celebration of Dong zhi at the Dr. Sun
Yat-Sun Classical Chinese Garden & Public Park as we host the Secret
Lantern Society's 11th Annual Winter Solstice Festival for Chinatown
and the Downtown Eastside.

Join a procession from Science World or Strathcona Community Centre
at 6:00 pm. Then, follow the sea of hand-made lanterns and the
compelling rhythms of drummers to our magical Garden come to life at
night. Be enchanted by the displays of special hand-made lanterns
in the trees and pond; paintings of winter colors by the Oriental
Arts Club; music; samples of traditional dong zhi foods such as
sweet dumplings and eight treasure soup and demonstrations of
traditional folk arts presented by the Taipei Economic and Cultural
Office in Vancouver. Free event, but donations appreciated. Visit
the other Winter Solstice venues at Granville Island, the Roundhouse
Community Centre, the West End Community Centre, and the Coal
Harbour Community Centre. For more information on the event, visit
http://www.vancouverchinesegarden.com, http://www.secretlantern.org
or contact us directly at 604-299-9000 code #7133.

Volunteer Lantern Making Workshops:
We would welcome your participation in the many workshops planned to
create lanterns and lotuses for this big night that features music,
art, and lanterns. Days and times vary so please encourage people to
double-check! Volunteers are encouraged to come as often as they
like to any of the sessions and can stay as long or as little as
they like - even one hour can really help. To please call 604-662-
3207 ext. 203 or via email: volunteers@vancouverchinesegarden.com.

For more information on all these events, contact:
Erika Korstrom, Marketing Coordinator
Dr. Sun Yat-Sen Classical Chinese Garden
578 Carrall St.
Vancouver, BC V6B 5K2
Tel: 604-662-3207 ext. 204
Fax: 604-682-4008
Web site: http://www.vancouverchinesegarden.com

Winter Hours:
-Open Tuesdays to Sundays from 10 am - 4:30 pm (closed Mondays)
-Public Garden Tours held at 10:30 pm, 12 pm, 1:30 pm & 3:00 pm

Telefilm Canada and CFTPA Launch Program to Train Producers

Telefilm Canada and the Canadian Film and Television Production Association (CFTPA) are proud to announce the launch of the Telefilm Producer Trainee Program.

The program will be administered by the CFTPA National Mentorship Program and will offer members of visible minority groups and of aboriginal descent the opportunity to develop their skills in the film and television production industry. The emphasis of this program is on direct involvement in producing while creating enhanced professional development opportunities for mid-level talented professionals. "Our industry and members have been clamoring for mid-career professional development and we¹re thrilled that Telefilm will be opening that door with us," says Guy Mayson, CFTPA president and CEO.

Producers will match contributions from CFTPA-NMP, offering producer trainees on the job employment. This 26-week pilot program will offer four spots, one from Telefilm¹s four regions: Atlantic region, Québec, Ontario and Nunavut, and the Western region. Mentor companies will match the CFTPA-Telefilm contribution of $7,000. Deadline for applications is January 21, 2005

"Telefilm Canada recognizes the importance of support for the professional development of Canadian creators," stated Dave Forget, Interim Director, Ontario/Nunavut Regions, Telefilm Canada. "Our partnership with the CFTPA is a strong step towards providing emerging producers with the skill set necessary to be competitive and successful."

For more information on the program please visit the CFTPA¹s web site at
www.cftpa.ca/mentorship.

About Telefilm Canada
Telefilm Canada is a federal cultural agency dedicated primarily to the development and promotion of the Canadian film, television, new media and music industries. The Corporation provides financial assistance and strategic leverage to the industry in producing high-quality works that
reflect Canadian society.

About the CFTPA
The CFTPA is a non-profit, trade association representing almost 400 companies involved in the Canadian production industry. The association promotes the general interests of Canadian producers by lobbying government on policy matters, negotiating labour agreements, and offering mentorship programs and copyright initiatives.

Contacts:
NMP at 1-613-233-1444 ext 238 or nmp@cftpa.ca

Telefilm Canada
Alejandra Sosa - Communications and Public Affairs
Phone: (416) 973-6436, ext. 2505 or toll-free: 1-800-463-4607

CFTPA
Jane L. Thompson
Vice President, Communications & Media Relations
(613) 233-1444, ext. 234 / 1-800-656-7440

First we take Vancouver - Richmondite is off to Hong Kong for pageant

Courtesy The Richmond Review
By Stephanie Dunn, Contributor

Miss Chinese Vancouver 2005 is a Richmond resident. Leanne Li, 20, was crowned last week and will be representing Vancouver at the Miss Chinese International pageant in Hong Kong in January. The Cambie grad says she was shocked at her win and attributes her success to a single-minded focus on doing her best. She's taking the same attitude with her to the international competition in the new year. "I know that if I don't really think too much about winning but think more about doing my best, because I'm not the one controlling whether I win or not, but I am in control of making sure whatever I do is to my best capacity," Li says. Li says that her participating in the pageant came out of a little curiosity about what goes on behind the scenes, and a little desire to carpe diem. "I thought that while I was young I should capture my youth and try new things," Li says.

The second-year University of B.C. student was chosen to participate in the competition in early October. Together with nine other delegates, Li spent most of the fall in a grueling training session that included pageant basics like lessons on walking on the cat-walk and stage training. The delegates also visited community groups and appeared in promotional spots for the pageant's leading sponsor, Fairchild TV and Radio. "It's hard to keep up with school and this at the same time because the schedule is pretty packed," says Li. She took a break from university to participate in the pageant. A fine arts student, Li is currently planning a career in publishing or commercial production. She admits her plans could change if she wins in January. "If I win the title I would like to try being an actress," Li says. "This is something that I would like to learn more about and explore." Currently living in Richmond with her parents, Li is unsure if she'll be returning home after the competition. "Depending on if I win or not," she says with a laugh.

Li possesses the usual beauty queen polish but pairs it with a genuine sweetness. She says she's touched by all the support she received throughout the competition.
"For me, winning this title, I didn't do it with my own effort, I did with everybody at Fairchild, with the girls and with the instructors," Li says. "I think this title belongs to everybody because there is a lot of teamwork that goes along with this pageant." On Jan. 7, Li will arrive in Hong Kong for another three weeks of training. The pageant takes place on Jan. 29. Li has some great expectations to live up to. The Miss Vancouver winners of 2003 and 2004 both brought home the international title.

Chinese reality series barnstorms the U.S.; the next stop is China itself

NEW YORK (AP) - There aren't many reality shows in which a guy, racing around a track against fellow contestants, slides into the finish line, skins his elbows and offers this assessment: "You bleed and sacrifice for the people." Then again, there aren't many reality shows in which all the contestants are speaking Chinese - at least, not that many that use the American landscape as backdrop and all-purpose obstacle course.

Take four teams of young people steeped in Chinese culture - from Hong Kong, Taiwan, the mainland and the United States. Pit them against each other - but in a nice, collaborative way. Then send them on a weird road trip through New England, Amish country, the rural South and Miami Beach.

What you end up with is Quest USA, a compelling bilingual reality show envisioned by its producers as the first in a series of real-life exploits by ethnic Chinese from all over. It's The Real World meets Kerouac meets The Simple Life 2 - in Mandarin, with heavy overtones of politeness and a very Chinese sense of duty and commitment to teamwork.

"We wanted to do Americana: Amish country, Mystic Seaport, those things that are very much American," producer Sarah Zhang says.

"This kind of thing makes Chinese feel that average, ordinary people can become stars. I think that's interesting for them," she says. "It gives them a platform, that 'I'm nobody, but I still have the opportunity to be on TV, to be a public figure.' "

The show, which chronicled an eight-day odyssey and was shot on a budget of $60,000 US, aired this fall on two channels in New York and is available now on DVD. It includes a throbbing soundtrack - a pure product of globalization that includes the unlikely fusion sound of "Chinese bluegrass" and a cool track by the band Notorious MSG called Dim Sum Girl.

Now the producers begin a second, more daunting quest - to air the show on mainland Chinese television and get the Beijing government and a major Shanghai production company involved in producing a sequel, Quest China, which would involve teams running across the Chinese landscape and encountering various unique challenges there.

Zhang and her husband, the show's executive producer, returned from China a few weeks ago, and she's brimming with optimism that the project can start filming next spring. She says Shanghai Media Group, a television powerhouse, is "extremely interested" in helping produce a show where teams from the United States, Australia, Canada and China would turn the Chinese countryside into a playground.

"They'd start from Beijing, end in Shanghai," Zhang says. "But they (wouldn't) know where they're going. Maybe fly to Xi'an. Maybe take a train to Chongqing or visit one of those villages with a minority ethnic group in southern China."

She adds: "Our goal is to show the real China to the outside world - and also what China looks like now. Foreigners only want to see ethnic and exotic culture. They don't know how advanced China is now and that Shanghai looks like the city from the future."

China is dabbling in reality TV as its reform process opens up the culture in many respects; among its latest entertainment efforts is a reality show filmed in the heavily Muslim (and heavily restricted) desert region of Xinjiang. But it's still a dictatorship. That means it's a place where government officials - both central and local - don't always cotton to outsiders running around with video cameras.

So arranging to film such a show in China will undoubtedly involve delicate negotiations and endorsements fro