ASIAN CANADIAN

A quirky blog that features news from Canada and around the world with an Asian twist. Send Asian Canadian News, Events, and Stories to webmaster@asiancanadian.net

Tuesday, January 31, 2006

Ang Lee grabs another award for 'Brokeback'

(CBC) - Ang Lee, director of the gay love story Brokeback Mountain, has been crowned by his peers the top feature film director of 2005.

The Directors Guild of America gave Lee the award at a ceremony Saturday night in Los Angeles.

“This is like winning at home. This professional approval,” said Lee, who accepted his award from one of the film’s stars, Jake Gyllenhaal. “I think we’re all winners because we’re blessed. We’re filmmakers. What a life.”

Lee captured the same director's guild prize in 2001 for Crouching Tiger, Hidden Dragon.

In his presentation, Gyllenhaal paid tribute to Lee for “his humbleness and his respect for everyone around him.”

Lee’s movie follows a forbidden 20-year romance between two Wyoming ranch hands played by Gyllenhaal and Australian actor Heath Ledger. Both the actors and their director have been accumulating a steady stream of awards.

Lee recently won the director’s prize at the Golden Globes and collected the same honour from critics in L.A. and New York City.

The Taiwanese director won over fellow nominees Steven Spielberg (Munich), Paul Haggis (Crash), Bennett Miller (Capote) and George Clooney (Good Night, and Good Luck).

Veteran actor and director Clint Eastwood was honoured with the guild’s lifetime achievement award.

AAT Management casting for Bruce Willis film

SIXTEEN BLOCKS:
This Feature Film staring Bruce Willis will be shooting a major
Chinatown scene with tons of Chinese/Asian people. Passers by,
business people, shoppers, vendors... young and old will be required
to work for several days in a roll in mid-late May. Contact Minh at
416-594-0222 and get ready to work on this movie!

ANDREA MAGUIRE featuring a performance by Kiyoshi Nagata Taiko Ensemble

Between Creation and Chaos

February 2 - March 2, 2006
Opening: February 2, 5-7 pm

"The fragile terrain of undefined spaces and absences interplay with the traces of the archaic body which, in spite of its vulnerability and fragility, is compellingly contrasted against the manufactured, industrialized materials and enhances the ambiguity that provokes multiple meanings to arise as even those materials succumb to degradation of the organic process as changes of state and deterioration occur. On these the human form imposes a presence both by its vague, undefined state as well as its monumental scale. By juxtaposing materials and process, vulnerability and strength, presence and absence, my aim is to provide a rare moment which allows us to reposition our focus and to peer into the depths, offering a glimpse into a possibility that connects rather than fragments." - Andrea Maguire

Justina M. Barnicke Gallery
Hart House, University of Toronto
7 Hart House Circle, University of Toronto, M5S 3H3
Tel. 416.978.8398
www.utoronto.ca/gallery

Fujifilm cuts outlook as it restructures film, cuts 5,000 jobs

Fuji Photo Film Co. Ltd., Tokyo, Japan, posted a drop in quarterly profit on Tuesday and cut its full-year forecast by more than half due to charges to reduce production of photographic film and cut 5,000 jobs, says Reuters. Fujifilm, the world's second-largest camera film maker after U.S.-based Eastman Kodak, said it would book ¥165 billion (US$1.4 billion) in restructuring charges during the current and next business year from April, but promised a return to profit growth in the year to March 2008.

At his first major press conference in nearly two years, Fuji Photo Chief Executive Shigetaka Komori said the color film market was shrinking more than 20 percent each year, well above his initial assumption for a contraction of about 10 percent.

"Changes in the market occurred at a much faster rate than we could anticipate," Komori said. "We will focus the restructuring over the next year and look to realise the benefits as quickly as possible."

Fujifilm plans to rationalize its production, development, and sales operations, leading to the elimination of 4,000 jobs overseas and 1,000 in Japan by this September. The cuts come to just under 7 percent of its global workforce of 76,000, says Reuters.

Komori did not indicate exactly how much production capacity for color film would be cut, but he said all three of the company's major factories in South Carolina, the Netherlands, and Japan would be affected by the restructuring.

Fujifilm said it now expected a group operating profit of ¥75 billion in the year to March, down from its prior forecast of ¥170 billion, reflecting ¥80 billion in restructuring expenses. It sees charges of ¥85 billion in 2006/2007.

Komori said he would continue to spend aggressively on capital investment and acquisitions to drive growth in promising business areas such as medical equipment, commercial printing and film used to make liquid crystal displays (LCD).

Fujifilm would aim for operating profit to rebound sharply to ¥200 billion in the year to March 2008, he said, although that target would mark a sharp downward revision to previous forecasts he issued in a business plan two years ago.

In October, Fujifilm said it was considering steps to accelerate reform of its imaging solutions division, which also handles color paper and photofinishing equipment, and that related charges could lead it to revise down its earnings. But the pressure on Fuji Photo Film Co. to restructure was ratcheted up a notch when rival Konica Minolta Holdings Inc. announced earlier this month it was pulling out of the photographic film market due to slumping demand.

Even so, Fujifilm has managed the industry's transition to digital much better than Kodak, which on Monday posted its fifth consecutive quarterly loss and said it would lose up to $1.1 billion more this year as it cuts production assets and jobs, says Reuters.

Komori said the departure of Konica Minolta could be seen as a positive for both Fuji Photo and Kodak as it will mean one less competitor even if the market was expected to keep contracting by about 20 percent over the next few years. Konica Minolta estimates its share of the global film market at just under 20 percent. Fuji Photo sees its share at 35 percent, while Kodak, which has been downsizing its film operations, is thought to control about 45 percent.

Unlike Konica Minolta, Komori said Fujifilm had no intention of withdrawing from the market, partly because it had a social responsibility to keep on producing camera film, but also because demand was not expected to dry up completely.

"Digital is not almighty. There are still lots of people that value the expressive qualities of film. The fans of film will not disappear," Komori said, adding that color paper had a solid future due to healthy demand for digital prints.

Fujifilm has also struggled to profit on digital cameras, in large part because its line-up is heavy on compact models and it does not have a big presence in the high end of the market, where margins are larger and price falls are less severe, says Reuters. Komori said Fuji Photo would narrow its product line-up of cameras and focus on profit instead of chasing market share.

Fuji Photo also reported earnings for October-December, posting a 4.4 percent drop in operating profit to ¥41.7 billion as weak sales of color film and minilabs overshadowed strong demand for LCD film, endoscopes and printing plates.

Manufacturers slightly more cautious: Statistics Canada

(CBC) - Manufacturers are in a slightly more tentative mood this quarter as fewer new orders, foreign competition and a strong dollar appear set to again keep a lid on production at most factories, Statistics Canada said Friday.

In its latest business conditions survey of 4,000 firms, the agency found 14 per cent of the companies that responded said orders in the first quarter of 2006 would fall. That's up from the 10 per cent that reported falling orders in the last quarter of 2005.

Only 15 per cent of companies said their current backlog of orders was higher than normal. That was a drop from the last survey's finding of 19 per cent.

About 70 per cent of firms expect their production will remain at about the same level from the last quarter to the current one. Another 15 per cent said they planned to increase production (down one percentage point) and 15 per cent said production would likely drop.

"National employment prospects remained slightly negative for the quarter," Statistics Canada said, but noted strong regional differences in the employment field.

Manufacturers in Ontario and Quebec expected slightly lower employment levels this quarter, which "more than offset a red hot market in Alberta where manufacturers still reported difficulty in finding skilled labour."

Almost a fifth of manufacturers reported production impediments. In addition to problems attracting skilled workers, companies cited a strong loonie and competition from cheap foreign imports.

Monday, January 30, 2006

Canadian film garners Sundance trophy - Eve & the Fire Horse

(CBC) - Canadian Julia Kwan has captured the Special Jury Prize in the World Dramatic category of the Sundance Film Festival for her feature film debut Eve & the Fire Horse.

“I was just so nerve sitting there in the front row with people like Terrence Howard and Roger Ebert sitting nearby,” Kwan told CBC Arts Online Saturday night. “When they called my name, I just couldn’t believe it ... I don’t even remember what I said.”

This marks only the second year the World Dramatic award has been given out. Eve & the Fire Horse is the only Canadian feature film being screened at the festival. Past Canadian winners at Sundance include the documentaries Shake Hands with the Devil and The Corporation - both of which won the audience awards.

“To be representing Canada, I felt the pressure to do well and I didn’t want to disappoint anybody. I feel good that I didn’t.”

The film got an exciting reception at its Jan. 20 Sundance launch, creating a sweet buzz around the movie during the 10-day festival, held every year in Park City, Utah.

A sold-out audience clapped long after the showing, peppering the Vancouver director with questions.

“During the festival, people were constantly coming up to us to tell us how much they loved the film,” said Kwan. “They film really seemed to connect with people.”

Eve & the Fire Horse chronicles the lives of two Chinese sisters growing up as first-generation Canadians in 1970s Vancouver. Eve (Phoebe Jojo Kut) and her older sister Karena (Hollie Lo) try to turn their Buddhist family’s bad luck around by experimenting with Catholicism.

Using touches of magical realism such as a talking goldfish and a scene of Jesus Christ dancing with Buddha, the film has garnered wide acclaim. It opened in select theatres across Canada on Friday.

Kwan has described the film as “loosely autobiographical” and has revealed that her own family dabbled in “superstition mixed with Buddhism.”

Kut and Lo are first-time actors and Kwan credits them with imbuing the film with a natural feel. Critics have heaped praise on the 11-year-old Kut’s performance.

The film has been shown at the Toronto and Vancouver film festivals and Kwan says she’s been pleasantly surprised by the reception it’s been getting. She says the Sundance audience seems especially appreciative of the film’s multi-faith message.

“I’m just happy to have screened it here, at this festival, where so many people converge, with so many wonderful film buffs.”

Kwan studied film at Toronto’s Ryerson University and was a director resident at the Canadian Film Centre. Eve & The Fire Horse captured one of the best screenplay prizes at the 2001 Writer’s Guild of Canada Top Ten Awards.

explorSTUDIO Call For Musical Artists

CBC Radio and explorASIAN will be presenting intimate live concerts called "explorSTUDIO" at CBC Studio ONE in Vancouver during Asian Heritage Month - May 2006.

We are looking for local BC musical artists who are from a Pan Asian background and/or have a significant Pan Asian element in their music. Traditional and contemporary musical artists are welcome to apply.

This is a terrific opportunity for you or your musical group to perform in front of a live studio audience and be given very wide exposure to the general public. The concert may even be recorded for future broadcast on CBC Radio!

Please send us your promo kit with a demo tape or CD by February 10, 2006. Your promo kit should also include the following:

1. Cover letter expressing intent and containing all contact information
2. Artist biography and/or resume
3. History of artist's works or performances and professional credits
4. Supporting documents (promotional material, press clippings etc.)
5. One photograph of the group or artist (min size 4"x6" / max size 8"x10")

Please mail your submission package to:
Vancouver Asian Heritage Month Society
explorSTUDIO 2006
P.O. Box 74157, Hillcrest, RPO
Vancouver, BC V5V 5C8

PLEASE NOTE:
Submitted materials will NOT be returned. Do not send originals please.
Only those artists selected for explorSTUDIO will be contacted by Feb 24, 2006
Questions? Please email Hanna Kiel: hkiel@explorasian.org

Art and Landscape Collaboration - CP West Toronto Railpath

The Culture Division works with staff across City of Toronto departments to identify exciting opportunities for commissioning public artworks in the City's parks, streets and open spaces.

Parks, Forestry and Recreation are revitalizing, through construction of a new multi-use trail, the disused portion of the CP West Toronto Railpath, between Cariboo Avenue and Dundas Street West, in Toronto's Junction Community. The Culture Division is seeking to commission an Artist to become part of the design team, working collaboratively with the selected Landscape Architect on the development of this new multi-use trail. The budget for the art contribution to this project is $100,000.00.

The Culture Division is inviting Artists living and/or working in Toronto to submit:
resume;
visuals of recent, relevant work**; and
Artist's statement outlining interest in the project and experience working collaboratively with interdisciplinary teams.

**Please submit colour prints or digital images on CD listing title, date, materials and dimensions for each work. Include a stamped, self-addressed envelope for return of submission material, if desired.

Submissions must be received by February 20 2006, 5 pm.

Submissions will be reviewed by an independent Selection Committee convened for this project. A short list of 3-5 artists will be interviewed by the selected Landscape Architect and City staff working group. Artist interviews will take place in March 2006.

Submissions should be sent to:
Rebecca Ward
Cultural Affairs Officer - Public Art
Culture Division EDCT
9th floor, East Tower, City Hall
100 Queen Street West
Toronto ON M5H 2N2
(416) 392-4173

Malaysian state establishes team to track 'Bigfoot'

KUALA LUMPUR, Malaysia (AP) - A southern Malaysian state will appoint a team of scientists and experts to hunt for a "Bigfoot" beast after the reported sighting of three giant human-like creatures, officials said Thursday. Johor Chief Minister Abdul Ghani Othman said the state will form an official Bigfoot-tracking team in a serious bid to find evidence of such a beast following the reported sightings late last year in the Endau Rompin National Park forest.

"The mystery of Bigfoot's existence has attracted a lot of interest," he was quoted as saying by the Bernama national news agency. "We hope the expedition will be able to prove its existence."

Ghani's aide confirmed the report Thursday, saying state administrators decided to set up the team after a council meeting late Wednesday.

"Bigfoot" is a popular name given in the United States to giant hairy creatures walking on two legs. Sightings of such beasts have been reported in many parts of the world, but their existence has never been proven.

Malaysian media have been gripped by Bigfoot fever since November 2005, when fish farm workers reported seeing three giant human-like hairy beasts at the edge of the Endau Rompin reserve. They also claimed to have seen a gigantic footprint which they photographed.

The photo was later printed by local newspapers.

Park officials have combed the site where the men claimed they saw the creatures, but found no physical evidence of their existence. However, they recorded more reports of sightings from Aborigine villagers who live on the park's fringes.

Tourism authorities are planning to capitalize on the sightings to attract visitors to Johor and the park. Wildlife officials said they may set up camera traps in the jungle to capture images of the creature.

© The Canadian Press, 2006

Thailand's creepy couple tying the knot on Valentine's Day

BANGKOK, Thailand (AP) - It was love at first sight for Thailand's Scorpion Queen and Centipede King. The couple with a soft spot for creepy crawlers - and publicity stunts - is planning a Valentine's Day wedding at a haunted house, and to consummate their vows in a coffin.

Kanchana Ketkaew, 36, who set a world record in 2002 for spending 32 days in a glass cage with 3,400 scorpions, plans to wed 29-year-old Bunthawee Siengwong - who set a Thai record for enduring 28 days with 1,000 centipedes.

Kanchana's world record was beaten in 2004.

The couple met while performing their respective stunts at a snake farm on the resort island of Koh Samui, said Somporn Naksuetrong, the general manager of the Thailand's Ripley's Believe It or Not Museum, which is sponsoring the wedding.

The couple will tie the knot Feb. 14 in a group ceremony dubbed "Til Death Do Us Part" at Ripley's Haunted Adventure House, in the southern resort town of Pattaya, 80 kilometres south of Bangkok.

They will wear bloodstained wedding clothes and partake in a traditional Thai ceremony in which elders bless the couple with holy water, Somporn said. But instead of following Thai tradition and heading to a "wedding room" after exchanging vows, the pair plans to climb into a coffin to consummate their union.

© The Canadian Press, 2006

SAG Best Actress Award for Sandra Oh

The best-actress honour for a television drama series went to Canadian Sandra Oh for the medical drama Grey's Anatomy.

Oh, who won a Golden Globe earlier this month, said she was gratified at how the casting of the show reflected real-world diversity.

"This is unbelievable. I thank every single actor out there. I'm so grateful for having a job," Oh said. "To all my fellow Asian-American actors out there, I share this with you, and be encouraged and keep shining."

© The Canadian Press, 2006

Dell to hire 5,000 people in India, boosting workforce there to 15,000

NEW DELHI (AP) - Computer maker Dell Inc. said Monday it plans to add 5,000 jobs in India over the next two years, bringing its workforce in the country to 15,000.
Dell is also looking to set up a manufacturing centre in India, a move that could help boost the sale of Dell computers here, CEO Kevin Rollins told reporters after a meeting with Indian Prime Minister Manmohan Singh.

The Round Rock, Tex.-based company will hire 700 to 1,000 workers for a new call centre in Gurgaon, a satellite town of the capital, New Delhi, Rollins said. The new call centre, the company's fourth in India, will open in April, he said.

The other new hires will staff call centres in the cities of Bangalore and Hyderabad in southern India and Mohali in the northern state of Punjab. Also this year, the company plans to double the staff at its product testing centre in Bangalore, which employs 300 engineers, Rollins said.

During his previous visit to India in April last year, Rollins had said Dell would make India a hub for its software development and back-office work.

The company has three call centres in India, a product testing centre for corporate customers and a global software development centre. About 10,000 people are employed at these facilities.

Scores of western companies have been cutting costs by shifting software development, engineering design and routine office functions to countries such as India, where English-speaking workers are plentiful and wages are low.

But Rollins said his company's expansion plans were not limited to tapping the talent, but also benefit from the growing demand for desktop computers and notebooks.

Dell accounts for less than four per cent of the four million computers sold in India, whereas the company's share in the global market is about 18 per cent, he said.

Taxes levied by the Indian government on computers and computer parts are a major factor affecting pricing of Dell products and their sluggish sales here.

A manufacturing facility could help the company boost its presence in India, where computer sales are expected to increase to 10 million annually over the next three to five years.

"We have come to the conclusion that time is ripe to consider a manufacturing facility in India," Rollins said. "We want to do it fast," he said, but gave no time frame or investment details.

He said the company was talking to local authorities in several Indian states to identify a site and a decision will be made soon.

Dell currently operates nine plants, six of them outside the United States.

© The Canadian Press, 2006

Brisk digital camera sales lifts Canon's quarterly profit 34 per cent

TOKYO (AP) - Brisk sales of digital cameras and a stronger U.S. dollar lifted Canon's net profit 34 per cent in the fourth quarter and to record annual earnings for a sixth straight year. The Japanese manufacturer of cameras and copying machines said Monday that group net profit for the last quarter totalled 108.2 billion yen ($922 million US), up from 80.8 billion yen the same quarter a year ago.

Sales jumped 14 per cent during that quarter to 1.12 trillion yen ($9.5 billion) from 981.13 billion yen.

For the fiscal year through December, earnings grew 12 per cent to 384.1 billion yen ($3.3 billion) profit. Canon Inc. projected earnings in the current year would grow eight per cent to a seventh consecutive record year at 415 billion yen ($3.6 billion).

The healthy earnings were helped by cost-cutting, strong copier and camera sales and efforts to quickly come out with new products.

A stronger dollar and euro also boosted overseas earnings by inflating income when converted back to yen. Both currencies averaged about 2 per cent higher against the yen than in 2004.

Canon is planning to broaden its business by entering the TV market later this year using a new kind of flat-panel technology that it's working on with Japanese electronics maker Toshiba Corp.

Today, flat TVs usually use either liquid crystal displays or plasma displays, the two dominant technologies. Canon's planned TVs use SEDs, or surface-conduction electron-emitter displays, with a beam-emitting technology similar to old-style cathode-ray TVs.

Canon also said president Fujio Mitarai will take on the additional post of chairman once the move is approved at a March 30 shareholders' meeting. Mitarai is scheduled to take over leadership of Japan's top business lobby, Nippon Keidanren, in May.

Hinting at a planned change in leadership, Canon said Senior Managing Director Tsuneji Uchida will become vice-president in March.

The Nihon Keizai Shimbun, a major Japanese business daily, reported Monday that Uchida will become Canon president in May to allow Mitarai to concentrate on his Keidanren job, but Canon declined to confirm that report.

Keidanren, now headed by top Japanese automaker Toyota Motor Corp. Chairman Hiroshi Okuda, wields considerable influence in Japanese politics and public opinion.

Mitarai, 70, who has extensive experience working for Canon in the United States, is credited with having built the company into a globally successful company around its booming digital camera business.

Uchida, 64, has worked in Canon's digital camera and camcorder operations and is a key person in the upcoming SED television project.

Canon shares, which have surged 20 per cent in the last three months, closed in Tokyo at 7,190 yen ($61), up 0.4 per cent from the previous day. Trading ended shortly before Canon earnings were announced.

© The Canadian Press, 2006

U.S. Agriculture Department proposes poultry imports from China

WASHINGTON (AP) - The Agriculture Department is seeking to allow shipments of processed poultry from China, where thousands of birds and several people have died from bird flu. Critics are urging the department to drop the proposal. On Friday, Senator Tom Harkin of Iowa said the U.S. can't afford to take chances with countries where the virulent bird flu strain is present.

Harkin acknowledged there are safeguards in the plan: the U.S. would not accept Chinese chickens - China would have to process poultry slaughtered in the U.S. or other countries from which the U.S. accepts poultry.

But the department has a poor record on inspections, Harkin said.

"We know that (the United States Department of Agriculture's) foreign food inspections have had problems in the past, and with so many unanswered questions, it is not wise to allow processed poultry imports from China at this time," said Harkin, the senior Democrat on the Senate Agriculture Committee. "I am concerned the administration is neglecting the substantial public health and economic risks to the United States, which USDA itself acknowledges but fails to address."

© The Canadian Press, 2006

The Canadian Film Centre announces the launch of the new TELUS Innovation Fund

Created and administered by the Canadian Film Centre, the TELUS Innovation Fund will provide funds for the production of innovative film, television, and new media content projects. This fund was designed to assist projects that place Canadian ideas, talent, and media at the forefront of the future of entertainment.

The TELUS Innovation Fund invests in new forms of high-quality, original Canadian content that explore new ways of approaching entertainment and storytelling. The fund supports projects that contribute to a body of innovative Canadian work and successfully employ pioneering strategies in breaking new ground to reach general public audiences. The TELUS Innovation Fund will support three projects a year to a maximum of $100,000 per project.

All Canadian Controlled Private companies (CCPC) that own and originate the majority of copyright in a film, television or digital interactive media project are eligible to apply. Companies are invited to submit an _expression_ of Interest (EOI) that outlines the project for which they are seeking funding by Monday, February 27, 2006. Applications will be adjudicated by a cross Canada jury and a select number will be invited to submit a full application. For further information on the TELUS Innovation Fund guidelines, application submission deadlines or to complete the _expression_ of Interest form please visit www.cdnfilmcentre.com .The Canadian Film Centre's TELUS Innovation Fund was established through the financial support of TELUS to foster a culture of excellence and creativity in Canada's film, TV and new media industries.

Sunday, January 29, 2006

ANNUAL SNAP! PHOTO COMPETITION

EVENT NIGHT TICKETS AVAILABLE NOW!
5XSNAP!

The AIDS Committee of Toronto (ACT) welcomes all original works of photography or photo-based art for submission to the fifth annual SNAP! Photo Competition presented by TD Canada Trust. Amateur, artistic and professional photographers are all invited to participate.

SNAP! is a photographic fundraiser for ACT involving a live auction of curated art, a silent auction, and photo competition. Nearly 300 photographers participated last year and more are expected this year. Net proceeds from the event will support ACT's programs and services for people living with, affected by, or at risk for HIV/AIDS.

PRIZES!
Cash prizes for the Photo Competition will be awarded in five categories as well as for best overall submission. Winners will be announced two weeks prior to the event and will be profiled in the SNAP! catalogue. They will be presented with their awards at the event, taking place on March 12, 2006, at the National Ballet School.

SUBMISSION DEADLINE
Please note that to qualify for the Photo Competition, all submissions must be received at ACT's offices no later than: 5:00 p.m. on Friday, February 17th, 2006.

EVENT NIGHT & TICKET INFORMATION
This year we are thrilled that our SNAP! Gala will be held at the new National Ballet School (400 Jarvis Street) on Sunday, March 12, 2006.
6:00pm - Doors Open, Cocktail Reception, Art Preview, Auction Registration, Silent Auction Opens
7:30pm - Live Auction begins
Evening music provided by: DJ Sumation

For more information, and to buy your tickets, please go to www.snap-toronto.org or call 416-340-8255.

WANT MORE INFORMATION?
For entry details and submission forms, please refer to www.snap-toronto.com

Questions about the competition should be directed to Jennifer Hardy at 416-340-8484 ext. 263. email: jhardy@actoronto.org. Media inquiries should go to Tyler Stiem at 416-340-8484 ext. 225, email: tstiem@actoronto.org.
ACT is located at 399 Church Street, 4th floor, Toronto, Ontario, M5B 2J6.

Made in BC – Dance on Tour

Join us for the launch of Made in BC – Dance on Tour on Friday February 3rd at the Scotiabank Dance Centre.

Made in BC – Dance on Tour is a new organisation that will increase provincial touring opportunities for British Columbian dance. t

Made in BC will provide support to regional presenters interested in bringing diverse forms of contemporary dance to their communities.

Hear more about the project, and meet Robyn Campbell (Project Coordinator), as well as British Columbian choreographers, dancers, managers, presenters, and funders at the Made in BC Launch Party.

For more information, contact:
Robyn Campbell, Project Coordinator
Made in BC – Dance on Tour
madeinbc@telus.net
604-893-8830

AAJC Demands that CBS Reprimands Radio Host for Mocking Asian Americans

1/27/2006 5:28:00 PM
To: State Desk

Contact: Adlai J. Amor of the Asian American Justice Center, 202-296-2300 ext 135 or aamor@advancingequality.org; Web: http://www.advancingequality.org

WASHINGTON, Jan. 27 /U.S. Newswire/ -- The Asian American Justice Center (AAJC) today expressed outrage over the insensitive and racist segment in the Jan. 24 radio show of Adam Carolla mocking the Asian Excellence Awards which will be aired on AZN Television in Los Angeles this Sunday, Jan. 29.

"Adam Carolla demeaned the work of Asian American actors, directors, and producers and perpetuated the stereotype of Asian Americans as foreigners," said Karen K. Narasaki, president and executive director of the Asian American Justice Center (AAJC). "Unless Adam Carolla is strongly reprimanded, and the station and CBS Radio apologize, we will be forced to ask advertisers to withdraw their support of his show."

The Adam Carolla Show, aired through CBS Radio's 97.1 Free FM (KLSX-FM) in Los Angeles, referred to the Asian Excellence Awards as a joke and repeatedly used the sounds "ching-chong" in recreating a segment of the awards which were actually done in English. The Adam Carolla Show is aired in 10 West Coast cities that have the largest Asian American populations in the U.S.

The Asian (AX) Excellence Awards honors Asian Americans in media who have made a difference in the United States. The awards will also pay a special tribute to the late actor, Pat Morita.

AAJC is encouraging people to call or email the following CBS Radio executives:

-- Joel Hollander, chairman and chief executive officer, CBS Radio, tel: 212-846-3939, email: joel.hollander@infinitybroadcasting.com

-- Dana L. McClintock, senior vice president, CBS Communications Group, tel: 212-975-1077, email: dlmcclintock@cbs.com

A clip of the Jan. 24 Adam Carolla Show is available at: http://www.reelplay.com/adamcarollaclips.html

AAJC's affiliate, the Asian Pacific American Legal Center of Southern California, and other organizations like the Korean American Coalition of Los Angeles, and the Media Action Network for Asian Americans have also criticized the Adam Carolla Show.

The Asian American Justice Center (http://www.advancingequality.org) is a national organization dedicated to defending and advancing the civil and human rights of Asian Americans. It works closely with three affiliates - the Asian American Institute of Chicago (http://www.aaichicago.org), the Asian Law Caucus (http://www.asianlawcaucus.org) in San Francisco, and the Asian Pacific American Legal Center (http://www.apalc.org) in Los Angeles - and 102 community partners in 47 cities and 24 states in the country.

http://www.usnewswire.com/
/© 2006 U.S. Newswire 202-347-2770/

Friday, January 27, 2006

Julia Kwan joins Cineworks for the first Cinematic Salon of 2006!

Wednesday February 8th, 7:00pm
Cineworks Studio (1131 Howe St., back lane entrance).

Cineworks Independent Filmmakers Society is proud to present Julia Kwan: Creative Visions as our first Cinematic Salon of 2006. Fresh from screening her feature debut Eve and the Fire Horse at Sundance, writer/director Julia Kwan will be in conversation with film critic Ken Eisner (Georgia Straight, Variety, CBC),

This is a unique opportunity for an in-depth and interactive discussion with Julia about the process of creating her film and her experiences at Sundance. "Eve and the Fire Horse" will be release in theatres January 27th. We encourage audiences and filmmakers alike to see the film and come to the Salon with plenty of questions.

Cinematic Salons provide a rare space for audiences and filmmakers to dialogue in an intimate environment. Salon discussions are insightful, dynamic and admission is always by donation.

Julia Kwan is a Vancouver-based award winning filmmaker. She studied film and psychology at Ryerson Polytechnic University and was a director resident at the Canadian Film Centre. "Eve and the Fire Horse" marks her feature debut from her award winning script. Julia was named one of Playback magazine top 10 to Watch in 2005.

Ken Eisner, originally from the San Francisco area, is a Contributing Editor to Vancouver's entertainment weekly, the Georgia Straight and Canadian correspondent/film critic for Variety in Los Angeles. He has been a frequent arts commentator on CBC TV/radio and currently reviews new movies for CKNW throughout Western Canada.

Film Synopsis:
Eve, a precocious nine year old with an overactive imagination, was born in the year of the Fire Horse, notorious among Chinese families for producing the most troublesome children. Caught between her 11-year-old authoritative sister's fantasies of sainthood and cultural confusion and her own sense of right and wrong, Eve faces the challenges of childhood with fanciful humour and wide-eyed wonder. Sometimes the most troublesome children are the ones that touch our hearts most deeply.

EVE AND THE FIRE HORSE IN THEATRES JANUARY 27th

For more information please visit http://www.cineworks.ca and http://www.eveandthefirehorse.com/splash.html

Commissioner avenges arts

By pieta woolley
Commissioner avenges arts
Publish Date: 26-Jan-2006

Lone COPE commissioner Spencer Herbert, disgusted that the Vancouver park board’s NPA councillors axed its culture-and-recreation committee on January 16, plans to host an unofficial, unauthorized, tell-all “art-and-culture committee” soon, he told the Straight. He envisions it as a group where artists can bring their ideas and comments. “I’ll repeat them to the board,” Herbert vowed, “whether they want to hear them or not.”

Former culture-committee chair Heather Deal told the Straight it was shortsighted of the new board to shovel arts and culture together with Astroturf and ice rinks in the new parks-and-recreation planning committee. Going into the 2010 Olympics, that committee’s agenda will be packed. “And I can guarantee which areas will be dropped if it needs to discuss ice rinks or hear from an arts group,” Deal said.

Deal, a Vision Vancouver city councillor, said the four-year-old culture committee was instrumental in bringing the arts to local parks. One project stands out for her: Rest and Read. The Brock House seniors group approached the committee with a proposal to laminate their writings and tie them to benches at several beaches. The committee was able to facilitate that, and the project garnered international attention. Deal fears that those kinds of initiatives will be lost without an arts-specific committee.

Meanwhile, Herbert said he plans to announce meetings for his counter-committee soon.

FLOWER DRUM SONG - Rodgers & Hammerstein

APPLAUSE! Musicals Society/APPLAUSE! Musicals In Concert
Director: Ryan Mooney
Music Director: Christopher King

Audition Dates: Sunday February 12th, 2006
Production Dates: April 5 - 8, 2006 at the Shadbolt Centre for the Arts (Burnaby) Studio Theatre
Rehearsals: One week only - Wednesday March 29 till Tuesday April 4, 2006

Requires: 7 principals, 6 featured, 2 children and large chorus with several smaller roles. Due to the original intent of this show every effort will be made to cast this concert with an all-Asian cast.

Notes: Please prepare TWO songs. One from the Berlin, Rodgers, Gershwin, or Porter repertoire.The second, in contrast to the first song, may be from any composer in the musical theatre repertoire. Accompanist provided.

Contact: For an audition time please fill out the online audition form at http://www.applausemusicals.com

Mounties escort eve to Sundance

By sarah keenlyside
http://www.straight.com/content.cfm?id=15555
Publish Date: 26-Jan-2006

With parties offering five-star swag and premium cocktails in every restaurant, bar, hotel room, back alley, and broom closet in Park City, Utah, somehow the Eve & the Fire Horse/Canada party at Shabu Restaurant emerged as a hot ticket Saturday night at the Sundance Film Festival. By 9 p.m., the tiny restaurant on Main Street was packed with a mixed group of industry types and beautiful people, including a surprisingly large group of Canadians.

On offer? A tasty, Asian-inspired menu, “Canada” tuques, and real uniformed Mounties. Mounties! Which raises the question, Why invite uniformed police officers to a party? According to Canadian Consul General Michael Fine, “The Mounties are here because they are a wonderful symbol of Canada and people around the world love the Mounties. We do this quite a bit, actually; in November we did the musical ride in Denver.”

He added: “They do a bit of crowd control, too, but they’re primarily here as a symbol. They’re a wonderful symbol of everything that is good in Canada.”

Eve & the Fire Horse director Julia Kwan was there too, along with a vast entourage of people involved with her film, including cast members Vivian Wu and Phoebe Kut, the film’s producers, its casting directors, and even the costume designers. “We all flew out together, and everybody got so excited on the plane,” Kwan told the Georgia Straight. “It was like an orgy of photo-taking, and at one point the flight attendant made a PA announcement asking us to sit down.”

At the party, Kwan was still buzzing, having just screened her film to a sold-out house at the nearby Egyptian Theater. “It was just such a warm audience,” she said, adding that the most exciting part (aside from actually presenting Eve at Sundance) was that director Wim Wenders came to see the film. “The thought that Wim Wenders came to my screening is just overwhelming,” she gushed. “I’m a huge, huge fan. One of my main goals coming out here was to catch his new film, Don’t Come Knocking.”

Eve has been generating a great deal of buzz around the festival, which is good news, seeing as the film’s producers are seeking U.S. and international distribution. Said Kwan: “I just talked to a reporter who asked me, ‘What does it feel like that your film is being called the Canadian Whale Rider?’ That was pretty exciting”. Eve also caught the attention of TV and print critic Roger Ebert, who met with Kwan to discuss the film.

But what did the Mounties think of Eve & the Fire Horse? The Straight posed the question to Corp. Sylvain Roussel, who left his station fighting white-collar crime in Calgary to oversee the front door of the party in Park City: “I thought the film was fabulous, quite moving. It was a solid story and it moved me. It was a well-produced, well-directed movie.”

Thursday, January 26, 2006

Eve & the Fire Horse

Opens in Toronto and Vancouver today!
Toronto: Varsity & Kennedy Commons
Vancouver: the Fifth Avenue & Tinseltown

LUMINOUS!...

One of the most beloved films at this year's Sundance."
-Roger Ebert

"EXCEPTIONAL!...

A delicately captured slice of childhood."
-Ken Eisner, Variety

"Touching, funny and thoroughly enchanting!"
-Globe & Mail

Official Competition - 2006 Sundance Film Festival
Audience Award - 2005 Vancouver International Film Festival
Best First Feature - 2005 Calgary International Film Festival
Official Selection - 2005 Toronto International Film Festival
www.eveandthefirehorse.com

Fiona Tinwei Lam

You are invited to a reading by Fiona Lam

SB 405
Emily Carr Institute
Granville Island

This event, part of the On Edge reading series, is free and open to the public.

Fiona Tinwei Lam is a Scottish-born, Vancouver-based poet. Her work has been published in liteary magazines such as The New Quarterly, Descant, Event, Grain, The Malahat Review, Quarry, The Antigonish Review, Contemporary Verse II, and Canadian Literature. Her poems have also been anthologized in A Room at the Heart of Things (Vehicule, 1999), Swallowing Clouds, an anthology of Chinese Canadian poetry (Arsenal Pulp Press, 1999), and Vintage 2000 (Ronsdale 2000). One of her poems was featured in Poetry in Transit in 2002. Her debut book of poetry, Intimate Distances (Nightwood Editions, Harbour Publishing, 2002), was a finalist for the Vancouver City Book Prize, and is now in its second printing.

The On Edge series gratefully acknowledges the support of the Canada Council and ECI.

Future readings in the On Edge series include Robert Majzels (Feb. 9), Sharron Proulx-Turner (Mar. 9) and Lola Lemire Tostevin (Mar. 23). Note: there is free parking under the SB (South Building) after 7 pm.

ART SHOW 06

The beginning of 2005 marked the opening of the first exhibition at the CCM Centre, Crystal Mall, Burnaby, by a group of artists. Since then, all the participants have agreed to show every year during the Chinese New Year. In 2006, it will be their second exhibition.

This year, apart from the original 13 artists: Paul Chui, Dave T.F.Chung, Joseph Koo, Carrie Koo, Howard Ku, David Lam, Chi-Keung Lee, Chi-Ming Leung, Tak-Cheung Leung, Pui-Sun Tung, Joseph C.T.Wong, Ping-Kwong Wong, and Chi-Ho Yeung, another artist by the name of John Wong has been added to the list, making a total of 14 artists in the exhibition.

The date of the exhibition will be from January 24th to February 18th (closed on Sundays). The opening ceremony with refreshment will be on Saturday, January 28th at 2 p.m. at the CCM Center, Crystal Mall, Burnaby. Artists will be present. During the show, there will be two talks and one watercolor demonstration.

The first talk will be given by Chan Man-Hung on How to Appreciate a Visual Art Exhibition. Date: Saturday, February 4th at 2 p.m.

The second talk will be given by P.S.Tung on Discourse on Creative Painting.
Date: Saturday, February 11th at 2 p.m.

Immediately after the second talk, Paul Chui will demonstrate the techniques of water-color painting.

Demonstration: Paul Chui who will demonstrate the watercolor techniques is an old master himself. He had his first one-man show at the annex of the St. John's Cathedral in Hong Kong way back in 1958. This public demonstration will give art lovers a great opportunity to observe a real master at work. Do not miss this rare occasion!

Talk: Discourse on Creative Painting will be given by P.S.Tung who was active in newspaper and magazine publication in Hong Kong for 40 years and is still active in Vancouver in circularizing cartoons. As an experienced illustrator and cartoonist, he is an expert in his colorful and creative art work. His talk is expected to be outstanding as he is not someone who will hold anything back. Do not miss this talk!

Talk: How to Appreciate a Visual Art Exhibition? will be delivered by Chan Man-Hung. He has over 30 years of experience in writing art critique which appeared in magazines and newspapers in Hong Kong and Taiwan. His talk will mainly be about his own experiences and feelings when viewing art shows and hopefully, it will be of help to art lovers in terms of gathering information and materials.

The different mediums applied by the 14 artists will include watercolor, Chinese ink and color, oil, acrylic, mineral color, ceramic reliefs, and ceramic sculptures. This exhibition will not only be colorful, but it will dazzle your eyes. It will be a good Chinese New Year activity!

Quantal Strife Exhibition & Catalogue Launch

Sunday, February 5, 2006, 2-5 pm
Part of the FREE Contemporary Art Bus Tour departing OCAD (100 McCaul St.) at 12 noon to Art Gallery of York University, Koffler Gallery, Doris McCarthy Gallery UTSC and Blackwood Gallery UTM. Call the Koffler Gallery at (416) 636-1880 ext. 270 to reserve a seat.

Based on the exhibition Quantal Strife, running from January 19 to March 5, 2006 at the Doris McCarthy Gallery, this guide presents entry-level conversations about contemporary art.

If you like art, video games, brain teasers, graphic novels, zines, and thinking about how the world works, this book is for you! (You'll love the exhibition too!) Full of images from the show, discussions about art, and Marc Ngui's inimitable illustrations, the catalogue is an invitation to explore the private and public mechanisms we all use to discover meaning in the world.

Beginner's Guide to Quantal Strife
2006, Doris McCarthy Gallery UTSC
Essay by Sally McKay Illustrations by Marc Ngui
Roundtable Discussion with Scott Carruthers, Sally McKay, Crystal Mowry & Marc Ngui
$15

AVAILABLE FEBRUARY 5! PRE-ORDER TODAY! Visit www.utsc.utoronto.ca/dmg for details and downloadable order form.

If you can't make it on February 5, join us later that week for a second launch:
Quantal Strife Catalogue Downtown Launch
Tuesday, February 7, 2006, 7-10 pm
Cameron House, 480 Queen St. W., Toronto

And be sure to check out the exhibition:
Quantal Strife
Work by Scott Carruthers, Crystal Mowry, Marc Ngui
Curated by Sally McKay
January 19 to March 5, 2006

The Doris McCarthy Gallery gratefully acknowledges the generous support of the Canada Council for the Arts, the Ontario Arts Council and the Toronto Arts Council.

Doris McCarthy Gallery
University of Toronto at Scarborough
1265 Military Trail
Toronto, Ontario M1C 1A4
416.287.7007
dmg@utsc.utoronto.ca
www.utsc.utoronto.ca/dmg

Gallery hours are Tuesday to Friday, 10 am to 4 pm & Sunday, Noon to 5 pm.
Admission is free.

Sony Corp. posts third-quarter profit up 17.5 percent

Sony Corp., Tokyo, Japan, announced its consolidated financial results for the third quarter ended Dec. 31, 2005. Net income was ¥168.9 billion (US$1,432 million), an increase of 17.5 percent compared to the same quarter of the previous fiscal year. Sony had earlier expected a loss of ¥10 billion (US$86.9 million) on ¥7.25 trillion yen (US$63 billion) sales for fiscal 2005.

Sales and operating revenue were ¥2,367.6 billion (US$20,064 million), an increase of 10.2 percent compared with the same quarter of the previous fiscal year; on a local currency basis sales increased 3 percent. Sales within the Electronics segment increased by 4.7 percent compared with the same quarter of the previous fiscal year (a 2 percent decrease on a local currency basis). In terms of product categories within the Electronics segment, sales of LCD televisions, LCD rear-projection televisions and flash memory and hard drive Walkman digital audio players increased, while there was a decrease in sales of CRT and plasma televisions.

Restructuring charges, which were recorded as operating expenses, for the third quarter amounted to ¥14.7 billion (US$125 million), compared to ¥10.5 billion in the same quarter of the previous fiscal year. In the Electronics segment, restructuring charges were ¥14.6 billion (US$124 million) compared to ¥10.5 billion in the same quarter of the previous fiscal year.

Restructuring eyed as Japan precision firms begin to report quarterly earnings

Canon Inc., Tokyo, Japan, may stand out with a strong rise in quarterly profit as Japan's precision equipment makers report earnings from this week, but investors will also be watching out for restructuring plans from Seiko Epson Corp. and Fuji Photo Film Co., reports Reuters.

As well as posting strong results, Canon is expected to forecast another record profit in 2006 on the back of solid sales of color copiers, printers and digital cameras, especially high-end digital single lens reflex (SLR) models that use interchangeable lenses. But sector watchers may be focusing more closely on Fuji Photo's restructuring steps for its ailing photo film and color paper operations and Seiko Epson's plans for shoring up its chip and display businesses. Analysts say the pressure for further restructuring was ratcheted up a notch when Konica Minolta Holdings Inc. said earlier this month it is pulling out of the photographic film and digital camera markets.

"Global demand for color film is declining about 20 percent annually, and that trend probably won't change," said Deutsche Securities analyst Yoshikazu Higurashi. "Fuji Photo needs to implement restructuring that involves production, sales and services or the future does not look good."

Fuji Photo, the world's second-largest camera film maker after Eastman Kodak Co., said in October it was looking to accelerate reform and suggested that related charges could force it to cut its full-year profit outlook. For its part, Seiko Epson is expected to announce restructuring steps for its devices division as heavy price falls for semiconductors and small liquid crystal displays (LCD) used in mobile phones have put that division in the red, reports Reuters.

Analysts are also worried about profit margins on Seiko Epson's inkjet printer business after rival Lexmark International Inc. said its quarterly profit fell by more than half on slumping demand for its ink and toner products. Matt Harris, part of a team that manages £1.5 billion (US$2.7 billion) in Japanese equity at Scottish Widows Investment Partnership, said tough competition in the copier and printer markets would keep him wary of precision equipment shares.

"I am always nervous about the quite high operating profit margins they make on these businesses, when really it's a very competitive area to be in. It's very difficult to make a copier or a printer that's particularly different to the one that Lexmark makes or Dell makes," Harris said.

Earlier this month Canon CEO Fujio Mitarai predicted that profit would grow 10 percent in 2006, and analysts expect the company's official forecast to reflect that remark.

"Canon has enjoyed strong demand for color multi-function copiers and (laser) printers, and has boosted its share of the inkjet printer market," Higurashi said of Canon's quarterly results, noting that a weaker yen also helped. "There is a good chance that its margins will decline (this year) due to rising raw materials prices and tough price competition, but demand for Canon's core products is firm and its profits should remain on an upward track."

Analysts generally expect Fuji Photo's quarterly operating profit to come in somewhere around last year's figure of ¥43.7 billion, supported by strong sales of medical equipment and optical film for use in the production of LCD panels. Konica Minolta is seen posting an operating profit close to the ¥18.5 billion it recorded in the same quarter a year earlier as healthy demand for multi-function printers and LCD film offset weak sales of optical pickup lenses, reports Reuters.

Analysts generally see profit at Olympus roughly doubling on healthy sales of endoscopes and on measures taken to improve margins in its battered digital camera division. Nikon Corp. previewed its results earlier this week by saying its April-December group operating profit would more than triple due to strong sales of digital cameras and brisk demand for lithography equipment used to make chips and LCDs.

Tuesday, January 24, 2006

Rick Scott and Harry Wong at The Royal Conservatory of Music

Rick Scott and Harry Wong will perform a concert based on their NAPPA Gold award winning and Juno nominated CD "The 5 Elements' at The Royal Conservatory of Music at 1:30 pm on Saturday January 28.

www.rickscott.ca www.harrywong.cc.

The Royal Conservatory of Music
90 Croatia Street (Bloor & Dufferin)
Ticket line: 416.408.2824 ext 321
www.rcmusic.ca

Pakistan allows first screening of Indian film in 41 years

(CBC) - Pakistan has eased its 41-year-old ban on films from India, to allow in a film that tells a popular Punjabi folk tale.

An Indo-Russian joint production of Sohni Mahiwal, a story from Punjabi folklore, was given a special exemption by Pakistani President Pervez Musharraf last week.

A second film, Mughal-e-Azam, dating from the 1970s, has been approved by President Musharraf, but not released.

There were conflicting reports in the Lahore press about whether the lifting of the ban applies to all Bollywood films that can pass Pakistan's censors.

A Pakistani filmmakers group said the censor board has approved its request to delete the words "Indian artiste" and "Indian director" from the guidelines saying what kinds of films it cannot approve, according to the Times of London.

But on Monday, the Times of India quoted a spokesperson for the censor board saying that only Sohni Mahiwal could be shown in public.

Pakistan imposed the ban in 1965 after its second war with India over Kashmir. If the ban is lifted, it would open the way for more cultural exchanges and joint productions between the two countries.

The dispute over Kashmir is not resolved, but there has been significant thawing of relations between India and Pakistan in the last two years.

Lifting of the ban could help reduce piracy of Bollywood films within Pakistan and give an economic lift to Pakistan's domestic cinema and movie-making industries.

Pakistanis love Bollywood movies and some of India's biggest stars are household names in Pakistan. Some Bollywood films are shown on cable networks. But Pakistanis also gain access to the films through a black market and that has led to rampant piracy.

Pakistan's cinema screens, once numbering in the thousands, now amount to only 270 in a country of 162 million people. Pakistanis have stayed away from the box office because some of the most popular films could not be shown domestically.

The Pakistani movie industry, often referred to as Lollywood, models itself on Indian films, with lots of singing and dancing, but very little touching between men and women. Bollywood producers dismiss Pakistani movies as mediocre imitations.

Pakistani censors are under pressure from Islamist hardliners to keep out Bollywood films to protect the country from "Indian cultural influence."

Meera, a top Pakistani actress, recently provoked controversy in Pakistan after she appeared in a kissing scene in an Indian film. Some Islamic groups demanded that she should be tried under Islamic laws.

Even if the ban is eased, Pakistani authorities are likely to maintain some restrictions on what films are allowed in. Some Islamists oppose any form of entertainment in public — especially where genders could mix.

Yamaha raided by Japanese police

(CBC) - Japanese police raided the headquarters of Yamaha Motor Co. Monday on suspicion the company illegally exported military helicopters to China.

The company is suspected of violating trade laws by selling the helicopters without obtaining cabinet approval, the Ministry of Economy, Trade and Industry said.

The helicopter is designated as a restricted material for export because it can be diverted to military purposes. The offence carries a penalty of up to five years in prison or a fine of up to two million yen ($20,000 Cdn), the ministry said.

"It was extremely regrettable that equipment that could be diverted to weapons of mass destruction had been allegedly exported to China," Chief Cabinet Secretary Shinzo Abe said. "I hope investigation would reveal the whole truth."

Yamaha executive Toyoo Otsubo confirmed the raid and said, "We face criminal complaints by the Ministry of Economy, Trade and Industry, and a police raid over the case. We are fully co-operating in the investigation."

About 10 of the remote control helicopters were reportedly sold for pesticide spraying and for aerial videos.

LG Electronics reports fourth-quarter profit surges on strong phone sales

SEOUL (AP) - LG Electronics Inc. reported Tuesday its fourth-quarter profit nearly doubled on robust handset sales and strong results at liquid-crystal display maker LG.Philips LCD Co., in which it holds a major stake. The world's fourth-largest maker of mobile phones by volume and South Korea's biggest manufacturer of home appliances said net profit jumped 91 per cent to 312.2 billion won ($318.3 million US) in the October-December quarter, the company said in a statement.

Sales at the company fell 5.2 per cent to 6.18 trillion won ($6.3 billion) from 6.52 trillion won a year earlier as a stronger South Korean won made its products less competitive overseas.

The profit result was far better than expected. The average estimate of nine analysts surveyed was for net profit of 201.1 billion won ($205 million), or 23 per cent more than the year before.

Analysts had forecast sales would decline 4.2 per cent to 6.26 trillion won ($6.38 billion).

LG.Philips LCD Co., one of the world's top makers of liquid crystal displays, reported earlier this month that its fourth-quarter profit soared from the year before on strong demand for liquid crystal displays used in hot selling flat-screen televisions.

It said it earned 328 billion won ($334 million) in the three months ended Dec. 31, up from 35 billion won from a year earlier.

LG Electronics owns a 37.9 per cent stake in LG.Philips LCD, which competes with South Korean rival Samsung Electronics Co. for dominance in liquid-crystal displays.

Shares in LG Electronics, which released earnings results before the stock market closed, rose 3.7 per cent to close at 80,700 ($83).

© The Canadian Press, 2006

Engineer proposes raising Shanghai's riverfront bank buildings to create commercial space

SHANGHAI, China (AP) - A Chinese engineer wants to give Shanghai's historic riverfront bank district a lift. Literally. Raymond Shaw says using hydraulic jacks to raise the stone edifices of the famed Bund would create valuable commercial space while preserving the 100-year-old neighbourhood's original look.

"It's totally technically achievable," Shaw was quoted as saying by Monday's Shanghai Daily newspaper.

While the prospect of anything moving the Bund's hulking stone buildings seems unlikely, Shaw has done this sort of thing before. He gained instant notoriety in 2003 by leading a team that shifted the city's historic concert hall more than 66 metres to make way for new road construction.

Still, boosting the Bund would be considerably more ambitious - and expensive - although Shaw said more than 200,000 square metres of prime shopping and entertainment space could be created in the process.

A canopy erected over the newly opened space would help maintain the original riverfront profile, he said.

"What a pity the area is now far from being fully commercially used," he said.

Long a derelict curiosity, the early 20th-century Bund has undergone a revival in recent years with pricey restaurants and boutiques moving into the more than 20 stately former banks, offices and trading houses, many of them now carefully restored.

However, Shaw said he didn't see the project being taken up right away given its "extremely huge scale." There was no immediate comment from the city government.

© The Canadian Press, 2006

Cambodian man gets 25 stitches to genitals after dispute with wife

PHNOM PENH, Cambodia (AP) - A Cambodian man received 25 stitches to his penis after his wife attempted to sever the organ with scissors after a domestic dispute, a newspaper reported Tuesday. Khay Kaing, 40, returned home early Saturday after a night of drinking and karaoke with friends in Kampong Cham province, 80 kilometres northeast of the capital Phnom Penh, the Koh Santepheap newspaper reported.

An argument ensued and he allegedly slapped his wife. As the man got into bed his wife came at him with the scissors and attempted to cut off his penis, the newspaper reported, not detailing whether she succeeded.

Kang Sakhan, the provincial police chief, confirmed the incident but did not provide details.

The newspaper said after being attacked, the man walked some 500 metres to a relative's home to seek help and was later taken to a village doctor who administered the sutures.

© The Canadian Press, 2006

Don Ho is back on stage after heart procedure

HONOLULU (AP) - Hawaiian crooner Don Ho has returned to the stage, less than two months after a stem-cell procedure in Thailand to strengthen his heart. The 75-year-old Ho sang for 90 minutes before a Sunday-night sellout crowd of 300 people at the Ohana Waikiki Beachcomber Hotel. It was his first performance since November.

On Dec. 6, Ho had a new treatment that hasn't been approved in the United States. It involves multiplying stem cells taken from his blood and injecting them into his heart in hopes of strengthening it.

Wearing white pants, a blue velvet shirt and a white ginger lei, Ho sat behind an organ and kicked off a 10-song show with, Night Life, followed by his signature tune Tiny Bubbles.

Joe Correa, a rancher who went to the show with his wife and some friends, said Ho was "sharp as a tack."

"It was great to see him do what he does," Correa said.

Jim and Linda Udell, visiting from Oregon, said this was the first time they had seen Ho since 1977.

"We came back to see the legend," Jim Udell said.

Ho has entertained tourists for more than four decades and hosted the The Don Ho Show on ABC in 1976 and 1977. He has been suffering from heart problems for about a year.

Ho had a pacemaker implanted a few months ago, but still felt weak and tired after a few steps. Before the surgery, he said, his heart was operating at only 25 per cent.

For now, Ho will perform on Sundays only. He said he may add more shows at a later date.

© The Canadian Press, 2006

No Place For A Lady

Running November 2005 to October 2006

Few aspects of the history of Western women are as astonishing as their travels. The journeys they undertook were as impressive as the challenges they faced. During their treks through Europe, the Middle East, India, Asia and the Americas, women travellers struggled with dubious accommodations, rigorous border formalities, outbreaks of disease, as well as hostility from male travellers, who saw them as “unfitted for exploration.” Despite these hardships, many women wrote of being at home in the wild. Travel gave them a whole new world of material for writing, painting and photography. As well, it opened up new horizons in academic studies such as natural history.

Based on the 2002 book of the same title by author Barbara Hodgson and published by Greystone Books, the exhibit brings to life the experiences of 18th- to early-20th century women travellers as they explored new and distant corners of the world.

The exhibit combines Hodgson’s extensive research and feel for period iconography with the Museum’s collection of historic objects, some associated with known female travellers. From the bulky travel costumes, suitcases and portmanteaus which formed a lady’s “travelling requisites,” to the curios, treasures and photographs they brought back, No Place for a Lady captures the lives and times of both the intrepid travellers as well as the pleasure seekers. Their exploits beg the question: just when was a woman’s place in the home?

VANCOUVER MUSEUM
1100 Chestnut Street
Vancouver Tel. 604.736.4431

Monday, January 23, 2006

Chinese Canadians flex muscles at the polls

Gary Mason, The Globe and Mail
January 12, 2006

VANCOUVER -- Not that long ago, they would have meekly accepted the federal government's long-held position to neither compensate nor apologize for the racist head tax once imposed on Chinese immigrants. But that has changed.

Canada's ethnic Chinese are meek no longer.

"I think the head-tax issue is a good example of the Canadianization of the Chinese community," says Winnie Ho, news director of Fairchild Television. "And I think that has set up a whole new dynamic in terms of dealing with the Chinese community, a dynamic that we're really seeing for the first time in this federal election."

The ethnic Chinese vote is coveted by politicians right across the country. But no more so than in Greater Vancouver, where in some communities Chinese Canadians comprise up to 40 per cent of the population.

Chinese organizations are beginning to understand the power they have. And the broad rights that exist in Canada to exercise their influence and stick up for what they believe is right.

"A lot of Canada's so-called new Chinese immigrants have now been here 10, 20 years," says Ms. Ho, one of the most influential figures in the ethnic Chinese community. "They now understand how the game is played. They now understand they don't have to accept whatever they are told. That is what happened with the head-tax issue and I think there is a lesson in that for all politicians."

Initially, the federal government had an agreement with a number of Chinese- Canadian organizations to provide $2.5-million for programs acknowledging the racism of the past. But the agreement included no apology and no compensation for any of the few surviving immigrants who paid the head tax, nor for any of their families.

The Chinese Canadian National Council, however, said that wasn't good enough. It questioned how the money would be spent. It questioned why any agreement couldn't come with a formal government apology, which was important to many Chinese Canadians.

The council bombarded ethnic Chinese news organizations like Ms. Ho's with e- mails and new information on the head-tax issue, keeping the matter at the front of television newscasts and on the front page of the highly influential Chinese-language newspapers.

The council refused to let the issue die.

"I think what you are seeing is the Chinese adopting real Canadian values," Ms. Ho says. "This is not an insignificant development. We are learning that if you don't like something, change it, or fight for change, fight for what you believe in. You don't just have to swallow it and say nothing.

"That is the opposite of what my mom and dad would tell me to do. They would say, 'Forget it, it will be okay.' That is the traditional way of thinking. And that's what some of the more traditional Chinese organizations did originally. They said, 'Well, $2.5-million is better than nothing.' But the national council said, 'Wait a minute. We can do better. This is worth fighting for. This is about dignity.' "

The groundswell of support that built up in the Chinese-Canadian community around the council's campaign to fight for an apology caught politicians off guard. It wasn't long, however, before Conservative Leader Stephen Harper sensed what was afoot. Early in the election he reversed his party's position on the head tax, saying his government would issue a formal apology and compensate those affected.

It left the Liberals, especially in B.C., scrambling. They knew they had to do something or it would likely spell electoral death to cabinet ministers such as David Emerson and Raymond Chan, whose B.C. ridings are 40 per cent ethnic Chinese.

First, Mr. Emerson said he would fight for an apology. Then he persuaded Liberal Leader Paul Martin to issue a personal apology on a Chinese radio station. As for Mr. Chan, it seems all he has been successful in doing is confusing the issue, leaving many in the Chinese community perplexed as to where he and his party now stand.

Mr. Chan has long believed that an official government apology would leave Ottawa open to lawsuits by head-tax victims and their families. When he was asked last weekend, however, whether a Liberal government would formally apologize for the head tax, he said yes. A day later, he told the Chinese media he was misunderstood and his earlier position stood.

"We have big confusion on this issue now," says George Ho, deputy editor of the Chinese daily Ming Pao.

"The Liberals have showed an attitude that they want to do the right thing but what that is remains very murky. That is not good, I think. Because the other parties are pretty clear on this issue."

Ms. Ho believes Mr. Chan is in trouble in his Richmond riding and not just because of the head-tax issue. Rather, it's because of a tendency, she says, to lecture fellow Chinese Canadians when they don't agree with him.

"Often he'll tell someone who disagrees with him on an issue such as gay marriage that they aren't Canadianized enough," Ms. Ho says. "That they don't know Canadian values. And that's completely wrong. The Chinese in Canada do understand Canadian values. That's why they don't want to be talked down to any more. That's why they aren't just going to accept whatever they're told."

She pauses.

"The head-tax story is really about being more Canadian."

Auspicious undies the rage among Chinese Malaysians for lunar New Year: report

KUALA LUMPUR, Malaysia (AP) - Good luck charms are usually worn around the neck or on the wrist. But this year, Chinese Malaysians are wearing them under their pants.
Red men's underwear emblazoned with auspicious animals and characters have become the rage among Malaysian Chinese ahead of the Chinese lunar New Year holidays, the New Straits Times reported Friday.

Red is considered an auspicious colour among the Chinese, and an essential component of feng shui, the Chinese belief of improving fortunes.

Retailers are cashing in by stocking up on these unique items for the Year of the Dog, which begins on Jan. 29, the Times said.

Its article was accompanied by a picture of three young women laughing while looking at a cut-at-the-waist mannequin wearing the reversible bright red briefs with Chinese characters in gold. The underwear can be worn inside out to reveal red characters on gold fabric.

"Red underwear make up three of every 10 boxes of underwear we sell daily," the Times quoted sales assistant Nabila Ramli at a department store as saying.

"Because of the strong demand we are also giving it a lot of space on our display stores," she said. The store has had to replenish stocks twice over the past two weeks, she said.

Even the prices of the items come in auspicious numbers 15.88 ringgit (about $5 Cdn), 18.88 ringgit and 19.88 ringgit. The number 8 is considered lucky among Chinese.

The characters printed on the briefs - in the front and at the back - read "attracting fortune," "golden fortune," "prosperous four seasons" and "swirling dragons."

Chinese make up a quarter of Malaysia's 26 million people.

© The Canadian Press, 2006

Quebec could have permanent presence in India: Premier Charest

MUMBAI, India (CP) - Quebec should have a permanent presence in India and pursue more business opportunities in its burgeoning economy, Premier Jean Charest said Friday. "What we didn't anticipate, was at what point there's an opportunity for Indian investment," Charest said.

"After a few days, what we realized is at what point India is ready for outside investment and that it's an opportunity for us."

Charest, wrapping up a week-long visit to India, said he could lead another trade mission to India in the near future with the participation of Quebec businesses.

He said Mumbai, India's industrial and financial heart, could have a permanent Quebec presence, as opposed to choosing the capital of New Delhi.

"You have to go where there will be the most benefits."

Charest is the first Quebec premier to visit the south Asian country, where there are a handful of Quebec businesses on the ground that participated in the trade mission.

The Liberal premier said the next trade mission to India will be much larger with about 100 business people participating.

Among the "most promising" sectors for Quebec in India are aeronautics, information technology, energy and pharmaceuticals and biotechnology, Charest said.

India has undergone rapid growth in recent years, always more than seven per cent a year, but Charest noted the country needs to invest in its infrastructure to maintain its growth.

"The opportunities for us in that area are great," he said, adding there's an opportunity to establish business contacts.

The country also needs modern airports, an airline and roads, areas in which Quebec has technological expertise, Charest said.

© The Canadian Press, 2006