ASIAN CANADIAN

A quirky blog that features news from Canada and around the world with an Asian twist. Send Asian Canadian News, Events, and Stories to webmaster@asiancanadian.net

Monday, May 28, 2007

China launches crackdown on scary children's books, state media says

BEIJING (AP) - China has launched a crackdown on scary children's stories including the popular Japanese "Death Note" comic book series, state media said Saturday.
Authorities are ordered to seize "illegal terrifying publications" from vendors ahead of China's Children's Day on June 1, the Xinhua News Agency and China Daily newspaper reported.

Communist authorities regularly launch sweeps to seize publications deemed pornographic or socially harmful. They are especially concerned about the influence of foreign books, movies and other pop culture on Chinese children.

One target in the latest crackdown is "Death Note," a Japanese series of comic books about a notebook that can kill people whose names are written in it.

The story "misleads innocent children and distorts their mind and spirit," said Wang Song, an official of the National Anti-piracy and Anti-pornography Working Committee, quoted by the China Daily.

"Death Note" publications have been seized in Shanghai and areas across central and southern China, the newspaper said.

© The Canadian Press, 2007

Japanese team removed 500 kilograms of garbage from world's highest mountain

KATHMANDU, Nepal (AP) - Japanese mountaineer Ken Noguchi and his team have brought 500 kilograms of garbage down from Mount Everest in his latest campaign to clean the world's highest mountain. It was the fifth trip by Noguchi, who began his campaign to clean up the mountain in 2000.

Noguchi, who was aided by two other Japanese mountaineers and 12 sherpa guides, thinks Everest is much cleaner than before because more people are aware of the impact of leaving garbage on the mountain.

"During this year's cleanup expedition, I found that the amount of waste left on the mountain has been drastically decreased," Noguchi told reporters Monday.

Noguchi says he's collected about 9,000 kilograms of garbage over the course of his five trips.

Everest has been nicknamed the world's highest garbage dump. In recent years, the Nepalese government has tightened its laws, and climbers and their guides are now required to carry out all gear and trash or forfeit a US$4,000 deposit.

There have been several expeditions to clean up Everest in the past, but many have been accused of concentrating more on scaling the peak than on bringing down garbage.

The high altitude, deep snow, icy slopes and low level of oxygen make it difficult for climbers to carry much on the mountain.

© The Canadian Press, 2007

Chiang Kai-shek's legacy attracts Chinese tourists to Taiwanese park

TASHI, Taiwan (AP) - Transplanted statues of Chiang Kai-shek have been neatly spread along a verdant hillside in northern Taiwan, some showing him on horseback with his mustachioed face held high, others with him clutching a ceremonial sword or reading a classical text. Chiang is much out of favour on the island of 23 million people, his 25 years of dictatorial rule regarded by many as justification for the relocation of his once ubiquitous bronze images to an isolated site in Tashi, an hour's drive from the capital Taipei.

But in an ironic twist, they have now become a place of pilgrimage for tourists from mainland China - the country Chiang fled in shame in 1949 after his Nationalist forces were defeated by Mao Zedong's Communist Party in a bloody civil war.

Chiang is a contentious figure on both sides of the Taiwan Strait - though for very different reasons.

In Taiwan he is reviled by the ruling Democratic Progressive Party. Many of the DPP founders suffered imprisonment and worse under 39 years of martial law that began in 1948.

Even many younger members of Chiang's Nationalist Party, eager advocates of the democratic system that Taiwan now embraces, freely acknowledge the excesses of his regime.

But in mainland China he is seen as an avatar of the unification that has long stood at the forefront of Beijing's Taiwan policy - so much so that his ruthless pursuit of the Communist enemy during 23 years of on-again-off-again civil war has been conveniently shunted aside.

In the quiet hillside park in Tashi, some 120 Chiang statues dumped by schools, public parks and once reverential communities attract a constant stream of mainland tourists, now permitted to visit Taiwan despite lingering hostilities between the sides.

A local official says the park, and the sombre Chiang mausoleum which it abuts, appear to appeal to mainland visitors far more than the island's loudly trumpeted scenic lakes and mountains.

"Whether they respect or dislike Chiang, they see the man as a symbol of Taiwan's ties to the mainland," said Chang Ching-wan, of the Tashi town government. "We were surprised to see some of the mainlanders bowing before Chiang's coffin."

Last year, nearly 40,000 Chinese visited Taiwan, and Taiwanese authorities are hoping for a tenfold increase in the number of tourists from China after a deal is struck with Beijing on travel arrangements - a development that could easily turn the trickle of mainland visitors to Tashi into a flood.

On a recent weekday morning, a group of tourists from northeastern China's Liaoning province carefully inspected an oversized bronze statue showing a smiling Chiang in a traditional Chinese gown seated comfortably on a large chair.

The tourists - men in dark business suits and women with permed hair and bright jackets - appeared subdued as they posed quietly for photos with their digital cameras.

"We came here to get a touch of history," said a mainlander who identified himself only by his surname Zheng.

"Chiang was a man of a bygone age and my impression of him is neither good nor bad," he added.

Those sentiments are a far cry from the widespread Communist condemnations in the days following Chiang's ignominious retreat to Taiwan in 1949. Contemporary writings depicted him as a "bandit" and accompanying Nationalist troops as looters and thieves.

After retreating to Taiwan, Chiang built the island into an anti-communist bastion dedicated to re-conquering the mainland. That goal was pushed aside only in the early 1990s, and over the past seven years - since President Chen Shui-bian's DPP ended 50 years of Nationalist rule - the independence-leaning government has constantly attacked Chiang's legacy.

Recent DPP moves include removing hundreds of Chiang statues from military bases and erasing Chiang's name from Taiwan's main international airport.

Last month party leaders said they wanted to reconsecrate the mammoth Chiang Kai-shek Memorial Hall in downtown Taipei, changing it into a monument to democracy.

The move provoked outrage from many nationalist officials, who revere the white, palace-like structure as one of the few examples of classic Chinese architecture in Taiwan's otherwise gritty capital.

Nationalist legislator Joanna Lei derided it as a cheap political ploy intended to curry favour among the DPP's core supporters ahead of legislative elections later this year and the presidential poll in March 2008.

"The DPP is mounting psychological warfare against a pseudo-target - all those who support the opposition - trying to blame them for past injustices," she said.

Communal politics often come to the fore during major Taiwanese elections.

In the coming presidential race, DPP candidate Frank Hsieh is set to face the Nationalists' Ma Ying-jeou, a Harvard-educated lawyer whose parents were among the two million people who followed Chiang to Taiwan in 1949.

Many of the families of these later immigrants support the Nationalists and their platform of eventual unification with the mainland.

But the majority of Taiwanese are descendants of Chinese immigrants from the 17th and 18th centuries. They form the DPP's core constituents and remain opposed to unification, without necessarily favouring formal independence.

© The Canadian Press, 2007

Friday, May 25, 2007

NKorea conducts short-range guided missile test, SKorean officials say

SEOUL, South Korea (AP) - North Korea fired several short-range guided missiles Friday in an apparent test launch, South Korean officials and media reports said.
South Korea's Joint Chiefs of Staff confirmed the launches, but said it was still investigating how many missiles were fired and where exactly the tests occurred.

"The short-range missile launches are believed to be part of a routine exercise that North Korea has conducted annually on the east and the west coasts in the past," the Joint Chiefs said in a statement.

Japan's public broadcaster and other media, citing Japanese and U.S. sources, reported that the missiles were surface-to-ship. Japan's Defence Ministry and Foreign Ministry could not immediately confirm the reports, but were investigating.

Public broadcaster NHK said the short-range missiles were fired on the east and west coast of the Korean Peninsula earlier Friday. Officials are currently investigating further details, including the number of missiles fired.

NHK said the missiles were shorter-range, and were not North Korea's existing Rodong or Taepodong I ballistic missiles. Japan's NTV network reported that the missiles were surface-to-ship.

It was not immediately known where they landed.

© The Canadian Press, 2007

Sony develops film-thin display that bends in full color

TOKYO (AP) - In the race for ever thinner displays for TVs, cell phones and other gadgets, Sony may have developed one to beat them all - a razor-thin display that bends like paper while showing full-color video. Sony Corp. posted video of the new display on its Web page Friday. The display is being held up by a hand that's squeezing the 0.3 millimeter, or 0.01 inch, display, while showing color video of a bicyclist stuntman, picturesque lake and other images.

Sony will present the research and video at an academic symposium in Long Beach, California, for the Society for Information Display this week, the Japanese electronics and entertainment company said in a release.

The display combines Sony's organic thin film transistor, or TFT, technology, which is required to make flexible displays, with another kind of technology called organic electroluminescent display, it said.

The latter technology is not as widespread for gadgets as the two main display technologies now on the market - liquid crystal displays and plasma display panels.

Although flat-panel TVs are getting slimmer, a display that's so thin it bends in a human hand marks a breakthrough.

Sony said plans for a commercial product using the technology were still undecided.

Sony President Ryoji Chubachi has said a film-like display is a major technology his company is working on to boost its status as a technological powerhouse.

In a meeting with reporters more than a year ago, he boasted Sony was working on a technology for displays so thin it could be rolled up like paper, and that the world would stand up and take notice.

Some analysts have said Sony, which makes Walkman portable players and PlayStation 3 video game machines, had fallen behind rivals in flat-panel technology, including Samsung Electronics Co. of South Korea and Sharp Corp. of Japan.

But Sony has been marking a turnaround under Chubachi and Chief Executive Howard Stringer, the first foreigner to head Sony, including reducing jobs, shuttering unprofitable businesses and strengthening its flat TV offerings.

The Canadian Press, 2007

Thursday, May 17, 2007

"May Snow" - Hon-Wa Folk Dance Troupe North American Tour

Monday, May 21
7:30 pm

Shadbolt Centre for the Arts
6450 Deer Lake Ave. Burnaby

(This is a family show, all are welcome)

Tickets: $20.00 for Adults $15.00 for seniors and students
Shadbolt Centre Box office: TEL 604 205 3000
Info: Diane Gillis 604 786 2452

Hon-Wa Folk Dance Troupe from Taiwan has more than twenty professional dancers and performers. In this North American trip, "May Snow" will present the mergence of Hakka and Taiwanese culture with classical and folk choreography.

Hon-Wa has performed in their homeland Taiwan,India, Netherlands, Poland, Germany, Israel, Indonesia, Nepal and Japan since it was established in 1999.

Greater Vancouver Taiwanese Canadian Association
7663 Nanaimo Street, Vancouver
Tel: 604-688-3738
www.gvtca.bc.ca

How to Appreciate Chinese Opera

Free Workshop - In English & Chinese

Date: May 19th, 2007 (Saturday)
Time: 12:00 noon to 3:00 p.m.
Location: Kilarney Community Centre, 6260 Kilarney Street, Vancouver, B.C.

Program:
12:00 noon Chinese opera makeup demonstration -
will explain to audience the mean of the makeup, the process etc

12:00 noon - simultaneously Chinese opera recital (singing)

2:00 p.m. - Chinese opera performance technique - explanation of meaning of miming, gesture and basic technique on stage

2:30 p.m. - short performance in costume w/makeup

For Information:
Rosa Cheng
Vancouver Cantonese Opera
phone: 604-764-8181

www.vancanopera.com

ANDREA NANN WITH SARAH CHASE

DREAMWALKER DANCE COMPANY

MAY 16 - 19
8:00PM

STUDIO THEATRE
Shadbolt Centre for the Arts

6450 Deer Lake Avenue, Burnaby
T: 604-205-3044
www.shadboltcentre.com

Live music by: guitarist Peter Elkas

Originally from Vancouver, two of Canada's finest artists come home to present Shostakovich-Piano Trio No. 2, solo work by Nann and A Certain Braided History, conceived and directed by Sarah Chase and developed, choreographed and performed by Chase and Nann.

"The same gentle demeanour infuses A Certain Braided History as Chase's other works. The choreography is deceptively simple. The anchor is the storytelling by the two women, and the most delicious moments occur when the abstract physicality suddenly becomes real and mirrors the words exactly, like a little epiphany.

A Certain Braided History is deep, provocative and refreshing." ~ Paula Citron, The Globe and Mail

Tiger triplets at Chinese zoo nursed by dog after mother rejects them

BEIJING (AP) - It's a dog's life for three newborn tiger triplets in eastern China.
The cubs, who officials at the Jinan Paomaling Wild Animal World in Shandong province are so far just calling "One," "Two" and "Three," have been nursed by a dog since they were rejected by their tiger mother shortly after birth 10 days ago, said Paomaling manager Chen Yucai. The trio's adoptive mother, a mixed breed farm dog named "Huani," is expected to nurse the tigers for about a month or until their appetites outpace her supply, Chen said.

Chen said it is common for Chinese zoos to use surrogate dog mothers to nurse rejected tiger cubs. Huani has nursed tigers from Paomaling before, he said.

Paomaling has previously put dog urine on rejected cubs' fur to make the surrogate think she was nursing her own puppies, but the zoo didn't bother with the urine this time because Huani seemed not to mind nursing the tigers, Chen said.

"The family is getting along well and seems to enjoy each other," he said.

© The Canadian Press, 2007

The A-list Comedy Tour 2007

May 19 - 8pm

River Rock Show Theatre, Richmond, BC

May is Asian Heritage Month and is an ideal occasion to host the A-list Comedy Tour
which features the most hilarious Asian comedians in Canada: Ron Josol, Paul Bae & Jeffrey Yu.

Tickets: $24.50 plus service charges
Tickets on sale at all Ticketmaster locations, charge by phone 280-4444 or online at www.ticketmaster.ca

* No Minors. Must be 19 & older with valid government age ID. **

Ron Josol
Ron Josol is a professional stand-up comedian performing across the globe. In 2000 Ron won the Craven A's funniest home grown competition for the Just For Laughs comedy festival in Canada's search for funniest newcomer. Indubitably, the most recognizable Asian comedian in Canada, Ron achieved a lead in his own comedy special entitled, "Comedy Now", aired on CTV/Comedy network and later that year was featured in "Winnipeg Comedy Festival, and The Orange County Comedy Festival". CBC's Bill Cameron hosted a short documentary called "Different but the same", which covered Ron's life as a comedian and the challenges he faced as a minority in the television industry. Ron has written and performed on the Gemini award winning show "The Buzz", has hosted a television series on the new omni2 Network called, "FLIP". He has produced, co-wrote and starred as the lead of a short film based on his true story entitled, "Rolling Longaniza," which aired on the CBC. Currently, Ron is a writer and performer on the Much Music hit show "Video on Trial".

Paul Bae
As a former high school English teacher in Vancouver, Paul Bae brought an inspiring mixture of laughter and learning into the classroom. After seven years, he found that it was more fun laughing at his students than with them, and that's when he took to the stand-up stage. Since 2000, Paul has appeared in many comedy competitions and festivals, including Montreal's Just For Laughs. Look for his "Comedy Now" special September 25th on the Comedy Network.

Jeffrey Yu
Jeffrey Yu started stand-up comedy in 2003 by winning Vancouver's funniest comic with a day job contest. In the short time that Jeffery has been doing stand-up, he has performed at both the Vancouver and Halifax comedy festivals, and will be making his first appearance at Montreal's Just for Laughs Festival in 2006. He has also written for "This hour has 22 minutes" and is featured on XM, Sirius, and CBC radio. At the end of this summer, Jeffrey will be starring in his own "Comedy Now!" special to air on CTV and the Comedy Network.

http://youtube.com/watch?v=NLI3p6usc5U
Visit the new Website http://www.ronjosol.com with the latest info on show dates

Japan economy grows 2.4 per cent, but pace of expansion slows

TOKYO (AP) - Japan's economy expanded for a ninth straight quarter from January to March, at a 2.4 per cent clip, but the pace of growth in the world's second-largest economy began to slow as companies cut investment amid jitters about a U.S. slowdown. Compared to the previous quarter, Japan's gross domestic product grew 0.6 per cent, the Cabinet Office said Thursday. If maintained for a full year, the economy would grow 2.4 per cent, just below the 2.6 per cent forecast by economists surveyed by Dow Jones Newswires.

While the increase marks the ninth straight quarter of growth, the pace slowed from a revised 5 per cent annualized growth rate in the October-December period. That was the fastest growth rate logged by Japan in three years.

Japanese Economy Minister Hiroko Ota said the figures still reflected a healthy economy and were further evidence Japan's economy "overall is recovering."

Japan has staged a recovery from more than a decade of economic stagnation, with help from strong exports and an increase in domestic consumption.

But stable growth is still vulnerable to a possible slowdown in the United States, the world's largest economy and a major market for Japanese exporters.

Just last month, the United States reported its worst economic growth in four years on concern that troubles in the U.S. housing market will trigger a recession. The economy crawled at a 1.3 per cent pace in the opening quarter of 2007.

Reflecting concern about a possible slowdown, business investment in Japan dropped 0.9 per cent in the January-March quarter, sapping strength from the overall economy. The decline marked a sharp reversal from a 2.3 per cent increase the previous quarter.

But economists cautioned that Japan's overall growth was still robust and seemed to be stabilizing. The current data also seems like a downturn because it comes after an unusually strong October-December quarter.

"It is a mistake to interpret it as poor figures being a sign of a new trend," said Richard Jerram, chief economist for Macquarie Securities in Tokyo. "Growth seems to be stabilizing at a solid healthy rate, without major fluctuations in either direction."

Lending a boost was consumer spending, which accounts for more than half the economy. It climbed 0.9 per cent from the previous quarter, but the pace of expansion slowed too, from 1.1 per cent in October-December.

Exports also helped offset slowdowns in business investment, shooting up 3.3 per cent. They rose a meager 0.8 per cent in the previous quarter.

The data comes ahead of an interest rate decision later Thursday by the Bank of Japan, which has said it will gradually increase its key rate from the current level of 0.5 per cent, the lowest in the industrialized world.

Economists said Thursday's GDP figures were unlikely to derail those plans.

© The Canadian Press, 2007

Disney tries its hand at Chinese content with new fairy tale movie

HONG KONG (AP) - Disney's latest China strategy doesn't involve Mickey, Minnie or Goofy. It's all about an enchanted vegetable. The Walt Disney Co. China announced Wednesday it will release a Chinese- language animated movie, "The Magic Gourd," this summer - its first co- production with the state-run China Film Group.

The movie based on a novel written by the late Chinese children's writer Zhang Tianyi, is about a boy who discovers a gourd - a squash-like vegetable often used in Asian dishes - that grants him wishes. The story has already been adapted into a TV cartoon by state-run CCTV.

The movie marks a departure from Disney's established strategy of promoting its mainstay stories and characters including Mickey Mouse, Minnie and Donald Duck.

Disney's famed animators are not prominently credited in "The Magic Gourd." Hong Kong special effects studio Centro Digital Pictures, which worked on "Kill Bill," made the movie.

"We respect and appreciate the deep-rooted rich Chinese local culture," Stanley Cheung, managing director of Disney China, said in a statement.

Disney's overarching approach to cracking the Chinese market has been to flood the country with its content.

It has opened more than 4,200 "Disney Corner" merchandise outlets in stores in 25 Chinese cities, according to the Burbank, California-based Walt Disney Co.'s 2006 annual report. A TV show launched in 1994 that promotes Disney cartoons is now shown on more than 40 channels.

Disney also publishes cartoon books, and the stage productions "Winnie the Pooh," "The Lion King" and "Disney on Ice" have all been performed in China.

The Disney movie "Eight Below" is currently showing in China, and "Cars" is scheduled to hit theatres on Aug. 22.

The company has also partnered with Shanda Interactive Entertainment to develop an online game in China based on Disney characters.

It opened Hong Kong Disneyland, based on the company's world-famous theme park in California, in September 2005.

Yet despite Disney's attempt to saturate the market, company executives acknowledge they need to work harder to promote Disney characters in China, where Mickey and friends are still relatively unknown.

Hong Kong Disneyland park is a case in point.

Designed as a showcase of Disney's themes for a hoped-for deluge of tourists from mainland China, the park fell short of its first-year attendance target of 5.6 million. The park's managing director, Bill Ernest, acknowledged last year the company had not done enough to promote Disney characters in China.

Adding to Disney's obstacles, China's government carefully controls media markets and products, and has banned foreign cartoons from prime time television.

Disney Channel Worldwide President Rich Ross told The Associated Press in an interview last year that Disney wants to but hasn't yet launched a channel in China.

"The challenge clearly is access," Ross said.

"In China, because it can't fully enter local media and entertainment due to legal restrictions, the spread of Disneyland culture is greatly limited," said Wang Ran, chief executive of China ECapital Corp., an investment bank that specializes in the media industry.

That's where a movie like "The Magic Gourd" comes in.

"In addition to bringing more Disney family entertainment content to China, we attach great importance on finding locally relevant and appealing content which complements our existing story values," Disney China's Cheung said.

Disney will also not have to fight to have "The Magic Gourd" included in China's annual quota of about 20 foreign films because it is a Chinese- foreign co-production.

But analysts also say Disney can rely on its famous trove of characters to break into China and that it should be careful when incorporating local content.

"After all, it has a global brand and influence, so it's very attractive to Chinese children," banker Wang said, noting that Coca-Cola had tried but failed to launch local flavours in China.

Yet Disney's main animated movies may clear Chinese censors quite easily because they are not political, Wang said.

"For children's cartoon characters, they carry more common cultural denominators," he said.

It wasn't immediately clear how financially successful Disney has been in China. Disney didn't immediately respond to a request for comment on whether its China operations are profitable.

The Canadian Press, 2007

Wednesday, May 16, 2007

Partnership creates $6M arts fund

Will provide financial support to professional artists

Elizabeth Withey
edmontonjournal.com

EDMONTON - Alberta artists will soon have access to a new grant fund announced today.

The Alberta Foundation for the Arts and the Canada Council for the Arts have joined forces to create a $6-million program called the Alberta Creative Development Initiative.

Each funding agency will contribute $1 million per year over the next three years to the program.

"We think that it's a tremendously exciting initiative," AFA executive director Jeffrey Anderson said. "Partnerships have been on the AFA's strategic agenda for a couple years now. It's going to be groundbreaking, in terms of us working together, pooling resources."

The Alberta Creative Development Initiative will provide financial support to professional artists and arts organizations, including those that have not previously accessed funding from the AFA or the Canada Council. Special attention will be given to applications that demonstrate an original voice.

The initiative stems in part from the fact that fewer Canada Council applications come from Alberta than other parts of the country.

"I hope at the end of the day that Alberta's artists and arts organizations feel more comfortable about throwing a Canada Council application in," Anderson said, stressing that the program will not exclude those who already have Canada Council or AFA funding.

Details of who is eligible and how the funds will be allocated will be finalized this summer and announced in early September, Anderson said.

The AFA's yearly contribution will come from the $4.5-million budget increase the provincial arts agency received in the 2007-8 provincial budget in April. The AFA's annual budget is now $27.3 million.

Edmonton Arts Council executive director John Mahon applauded the funding partnership because different levels of government are collaborating, and seeking local advice from organizations like the EAC.

"We think it will be an effective grant program," Mahon said.

The EAC and Calgary Arts Development will both serve on the committee charged with outlining details of the grant program. Mahon said the EAC will contribute expertise but not municipal funds because that money would not necessarily go to Edmonton artists.

On Monday, Minister Hector Goudreau attended the EAC's annual general meeting. Mahon said the minister was well-received by the arts community.

"We invited him and he came, so good on him," Mahon said. "I think people are recognizing that he (Goudreau) doesn't mean any harm. You have to work with someone who means well."

More veggies than ever being grown in greenhouses: ag census

NIAGARA-ON-THE-LAKE, Ont. (CP) - The vegetables that appear on tonight's dinner plate are more likely than ever to have been grown in Canada under glass or plastic - a fact that may reflect a an increasing appetite for high-quality produce grown close to home. Figures from Statistics Canada's 2006 Census of Agriculture released Wednesday show greenhouse production has expanded dramatically over the last 15 years. In the five years since the previous census in 2001, the amount of greenhouse growing space shot up 21 per cent, with much of the growth coming from Ontario.

And for the first time, vegetables surpassed flowers as the main product being grown under glass.

The numbers illustrate the work of companies like St. David's Hydroponics near Niagara-on-the-Lake, Ont., where 211,000 plants that grow to five metres tall produce sweet peppers almost year round on 16.8 glassed-in acres.

"The consumer today wants a pepper in February, they want a pepper in March," says St. David's senior grower Maarty Hendriksen.

"When they go to the store, they want to see yellow pepper, and where it comes from, they don't care. People are more than willing to pay for it (and) that's the thing that drives the entire produce industry."

It's a high-tech world, where temperatures are maintained to the half-degree and water and fertilizers are constantly recycled, and bees, at about $6 each, kickstart pollination. St. David's uses no pesticides.

As of May 16, 2006, greenhouse operators had 239 million square feet (22.2 million square metres) under production across the country. That's the equivalent of 2,727 CFL football fields, or putting most of the core city of Fredericton, N.B., under a dome.

Industry players and analysts credit in part the free-trade pact with the U.S. for the success of Canada's greenhouse industry in that it opened up American markets. A weak dollar helped that process, athough that edge has been somewhat blunted with the climb of the Canadian currency and rising energy costs.

There's also the savvy of the producers as well as the varieties of vegetable that are blemish-free, tasty and asthetically pleasing and can only be grown under glass given the Canadian climate.

"It is kind of surprising to think that tomatoes that appear in a grocery store in New York City in March have come from Ontario," says Alfons Weersink, a professor with the department of food, agriculture and resource economics at the University of Guelph.

"(But) it's an innovative set of producers. They're pretty competitive."

In all, Ontario greenhouse producers sell more than $1.2 billion worth of vegetables and flowers a year.

More than 80 per cent of the province's greenhouse vegetable production is concentrated in the southwestern part of the province, with half the total area dedicated to about 25 varieties of tomatoes that grow on vines of up to 15 metres.

In fact, the Leamington area of southwestern Ontario - which bills itself as "the tomato capital of Canada" - claims to have more greenhouse production than the entire United States.

Seedless or mini cucumbers and sweet peppers - the newest but fastest growing commodity - make up the balance.

"We grow about eight times on one-eighth of the space as compared to field production," said Kristen Callow, general manager of 242-member Ontario Greenhouse Vegetable Growers.

"The quality and consistency of the product because you are controlling the environment is just better."

Overall, total Canadian vegetable acreage fell seven per cent from 2001.

"We've attributed this to increased greenhouse vegetable production, increased imports of fresh, canned and frozen vegetables, and the loss of some processing facilities," says Steve Boyd, a senior analyst with Statistics Canada.

Sweet corn remains the No. 1 vegetable grown in Canada, followed by green peas, beans and carrots.

When it comes to fruit, blueberries retained their top ranking, with almost half the fruit acreage across Canada devoted to the little bright blue-purple berry.

Most of the production goes to industrial uses, such as fillings in pies or to flavour yogurt, says Jeanot Cote of Quebec Wild Blueberries Inc. based in Saint-Bruno.

With 24.5 per cent growth in blueberry acreage, Quebec has surpassed Nova Scotia as Canada's top blueberry producer, and New Brunswick comes third, the census shows.

However, the biggest proportional growth in the trendy berry has been in British Columbia, with area planted shooting up a whopping 61.5 per cent since 2001.

At least some of that growth can be attributed to the perceived health benefits of blueberries, which are high in cancer-fighting antioxidant, said Weersink.

Grape production has also continued to rise, especially in Ontario, with area planted up 15 per cent over 2001. And while an apple a day may keep the doctor away, the land devoted to growing that fruit dropped about 12 per cent to 54,612 acres in 2006.

"I think it's just competition," says Weersink.

"If you look at the apples in the grocery store, whether it be from Washington State or Granny Smith apples from New Zealand or Royal Gala from Chile, the products can come a long distance."

© The Canadian Press, 2007

Growing cellphone use almost on par with land lines, Statistics Canada says

MONTREAL (CP) - Cellphones have become so popular in Canada that they are about to eclipse the use of traditional wire lines for the first time as the wireless industry continues to grow in reach and profitability. There were 18 million wireless subscribers at the end of 2006 - about the same number of fixed access lines. That doesn't include more than 740,000 subscribers who have transferred to cable telephony services.

The surge in cellphone use has been extremely lucrative for the mobile phone industry, whose operating profits - before taxes, interest and depreciation - increased by 67 per cent to $1 billion in the last quarter of 2006 from a year earlier, Statistics Canada said in a report issued Monday.

"The wireless industry has had robust growth and the wireline industry, even though we've seen some downturn in it, it's still fairly stable," agency analyst Cimeron McDonald said in an interview.

In the traditional phone industry, quarterly profits fell 24 per cent to $675 million as revenue declined 1.5 per cent to $5.6 billion, while wireless revenue grew by 16.2 per cent to $3.4 billion.

The higher margin wireless industry saw its operating profits grow by 41 per cent last year to $4 billion while wireline earnings declined 14 per cent to $3.5 billion despite recording $10 billion in additional revenues, the agency said.

The financial shift has been particularly challenging for Bell Canada, which has struggled to keep up with its wireless competitors as it hemorrhages wirelines customers.

A Bell spokesman said growth services such as wireless now account for the majority of the company's revenues.

"Landline loss is a situation faced by major telephone companies across North America and worldwide but it's worth noting that Bell is slowing the erosion of land lines better than most companies," said Pierre Leclerc.

Wireline companies continues to offer an advantage by possessing the infrastructure to accommodate high-speed and high bandwidth services lacking in wireless, added McDonald.

"I would not say that the wireline industry is dying at this point."

The shift in telephone use by Canadians has prompted strong competition among the major industry players - Rogers Wireless (TSX:RCI.B), Bell Mobility (TSX:BCE) and Telus Mobility (TSX:T). It has also spawned regional providers such as Virgin Mobile, President's Choice Telecom and SaskTel.

The path to convergent phone usage has been growing since cellphone service was introduced in the mid-1980s.

By 1999 there were 18.7 wireless subscribers and 64.4 traditional wireline lines per 100 inhabitants. As of December 2006, those ratios were 55.1 and 55.3 per cent respectively.

The number of wireless subscribers increased 8.4 per cent last year, and customers on average spent more for their service.

The numbers demonstrate the increasing popularity of wireless service, said Peter Barnes, president of the Canadian Wireless Telecommunications Association.

"We certainly don't see any let up in that. It seems to be a steady growth figure."

Over the past four to five years, annual subscriber growth has exceeded 12 per cent.

Even though Canada's penetration of cellphone use is lower than other countries, Canadians are the second highest users of wireless minutes among the 30 OECD countries, he added.

The use of cellphones for text messaging exploded last year as new uses such as video downloads and TV displays promise further gains.

"What we're seeing is a broadening of the use of the cellphone from just a voice telephone to a data terminal," he said.

While the wireless industry enjoys strong growth, it has only recently been free cash flow positive, said an analyst who didn't want to be identified.

"It's a very attractive, high-growth business (but) that doesn't mean it's going to remain that way," he said.

Voice revenues per subscriber are declining even though revenues from data transfer is growing.

The Canadian Press, 2007

Motion Picture Association releases trailer about film piracy in Asia-Pacific

SINGAPORE (AP) - Hollywood has stepped up its fight against movie piracy in Asia with the release of an anti-piracy trailer in Singapore. The 30-second trailer shows a thief, swinging in from a helicopter and dodging lasers, trying to steal a DVD. He is later caught. More than 30 cases of pirated movies, filmed with handheld video cameras in theatres, have been traced to the Asia-Pacific region in the past two years, said Motion Picture Association Executive Vice President Fritz Attaway.

"As we tackle this problem in our cinemas across North America and in Europe, we anticipate that even more will come from the Asia-Pacific region," Attaway told reporters Monday.

In the last week, the MPA discovered 14 recordings in Malaysia of the new "Spider-Man 3" movie, senior operations executive Neil Gane told The Associated Press.

Such recordings are typically sold to illegal DVD factories for mass reproduction or posted on the Internet, sometimes just hours after the film's release.

Localized versions of the anti-piracy trailer, to be shown before screenings of movies, will be distributed to other countries in the region in the next two months, Gane said.

The MPA says its members - including top Hollywood studios Paramount Pictures, Warner Bros., 20th Century Fox and Universal - lost $1.2 billion to Asia-Pacific movie pirates last year.

The Canadian Press, 2007

Tuesday, May 15, 2007

“Too Asian to be American, too American to be Asian” with Luis Francia

Filipino-American writer, poet and veteran journalist Luis Francia will read from his prize-winning memoir "Eye of the Fish" May 15 at Simon Fraser University as part of Asian Heritage Month, then lecture on the question "Too Asian to be American, too American to be Asian" on May 16 also at SFU's Harbour Centre campus.

Luis H. Francia is a journalist, nonfiction writer, and poet. He is the author of the semiautobiographical "Eye of the Fish: A Personal Archipelago", winner of the 2002 PEN Center Open Book and the 2002 Asian American Writers literary awards. He was New York correspondent for Hong Kong-based Asiaweek for close to two decades. He has also written for various publications, among them the Village Voice, New York Newsday, the Daily News, the San Francisco Chronicle, Far Eastern Economic Review, and the Nation. He writes a monthly column for the online edition of Manila’s Philippine Daily Inquirer.

All the events are open to the public, free of charge.

Tuesday, May 15, 6:30 p.m.
A book reading by Luis H. Francia

Room 1425, Simon Fraser University at Harbour Centre
515 West Hastings Street, Vancouver
To reserve a seat, call 604-291-5089 or email dlam-info@sfu.ca

In honor of Asian Heritage Month, Filipino American writer Luis Francia will read from his prize-winning memoir Eye of the Fish. The author will be happy to sign books.

Wednesday, May 16, 6:30 p.m.
Too Asian to Be American, Too American to Be Asian?

Labatt Hall Room 1700, SFU at Harbour Centre
515 West Hastings Street, Vancouver
To reserve a seat, call 604-291-5089 or email dlam-info@sfu.ca

The hyphen between “Asian” and “American”--is that a bridge between the two, or a wedge that separates?

Thursday, May 17, 2007, 12 p.m.
Auditorium (main floor)
UBC Asian Centre
1871 West Mall
University of British Columbia

The hyphen between “Asian” and “American”--is that a bridge between the two, or a wedge that separates?

Thursday, May 17, 2007 6 p.m.
Kalayaan Centre
451 Powell Street, Vancouver

Meet and greet with Luis Francia. He will discuss his various works.

Friday, May 18, 2007, 10 a.m.

A book reading by Luis H. Francia

Britannia Library
1661 Napier Street
604-665-2222

Celebrate Asian Heritage Month with the PEN award winning author of “Eye of the Fish: a Personal Archipelago”. This is an account of the author’s childhood memories of his Philippine homeland and his visits back as an adult journalist.

Luis H. Francia is presented by the Consulate General United States of America
Office of Press and Cultural Affairs
1095 West Pender Street
Vancouver, British Columbia, Canada V6E 2M6

Monday, May 14, 2007

Centre A presents Limits of Tolerance: Re-framing Multicultural State Policy

18 May - 23 June 2007
Opening Reception: 18 May 8:00pm
Centre A, 2 West Hastings, Vancouver
Curated by Liz Park

In a country that has touted its multicultural policies, the resurgence of racist attitudes after 9/11 prompts critical assessment of race issues today. In an effort to review race politics in the context of Canada's colonial and immigrant policies, the exhibition Limits of Tolerance examines a period in recent history when cultural diversity became Canada's state policy with the 1988 Multiculturalism Act. In the late 1980s, an increasing number of artists explored and questioned their own identity based on race, gender and sexuality, as lobby efforts and activism of people of colour and aboriginal ancestry gained momentum. With the Multiculturalism Act demanding government agencies to reform or invent equity policies, the arts and culture sector in particular underwent a turbulent period in which comfort zones of liberal attitudes were challenged. The exhibition re-presents a selection of artworks produced in Vancouver in the late 1980s and early 1990s when artists, writers and academics engaged in intense debates about identifications based on race, gender, and sexuality. This selection emphasizes the various and often contrasting ways in which artists deal with issues of identity and critique social structures which inform their identity.

The artists in Limits of Tolerance are Dana Claxton, Stan Douglas, Laiwan, Paul Lang and Zachary Longboy, Ahasiw Maskegon-Iskwew, Anne Ramsden, Ruby Truly, Henry Tsang, and Paul Wong. Often using non-traditional visual media such as video, performance, and photo-installation, these artists have pushed the limits of art production at a time when the concept of a singular culture was under scrutiny. The artistic output from this period in the form of artworks, group exhibitions, and conferences challenged the very idea of artistic quality as prescribed by an artworld resistant to self-reflection. In this context, some artists actively identified their subjective positioning and sought to speak from within communities defined by race, gender, or sexuality, while other artists deliberately avoided such self-identification or resisted being categorized under a homogenous group. The differing strategies deployed in dealing with the question of identity have insulated discussions of certain artists' works from others. This exhibition brings together these works in renewed discussions of identity and reflects on the common place and time shared by each artist despite his/her distinct experience of race, gender and sexuality.

Presented alongside the artworks are archival materials from the cultural equity caucus for the former Association of National Non-Profit Artists' Centres (ANNPAC), Minquon Panchayat (1992-1993), the film festival In Visible Colours (1989), and the exhibitions Yellow Peril: Reconsidered (1990), Self Not Whole (1991), Racy Sexy (1993). The records of these cultural activities help reframe the presented art works in broader terms, which include social and political history of Canada, and the changing questions of community in an increasingly globalized world. Revisiting this recent past sharpens a critical lens through which one can see how race politics is played out in art and the sociocultural and political arenas today.

The exhibition is curated by Liz Park, a candidate to the Master's Degree in Critical and Curatorial Studies at the University of British Columbia.

Sunday, May 13, 2007

8th Annual Asian Comedy Night

The Vancouver Asian Canadian Theatre presents:

Etch-Your-Sketch SKETCHOFF!#$%!!
8th Annual Asian Comedy Night

May 18 and May 19
8:00pm
Roundhouse Community Centre Theatre, Vancouver

It's comedy night time again and this year, we have 6 new sketch groups competing for the coveted Vancouver Rice Bowl. Etch-YOUR-Sketch SKETCHOFF!#$%!! - 8th Annual Asian Comedy Night is happening on Friday, May 18th and Saturday, May 19th. The first night, the teams are judged by people in the industry and on the 2nd night, the audience is the judge with their applause and measured with a decibel reader. Teams have a chance to win up to $350!

With names like Slant Eyed Peas, Sfuu Man Chu, Bananadrama, Yangtzers, Lick the Wax Tadpole and Disoriental, it surely will be a night full of laughs.

If you're not going away this long weekend, and you want something that will make you laugh ... check out the 8th annual Asian Comedy Night. A guaranteed night of some pretty funny stuff. Help support Asian Canadian Theatre in Vancouver.

SKETCHOFF!#$%!! has been a sold-out event every year and the annual show has provided a rare showcase for various Asian stand-up comedians and sketch groups
from all over Canada and the US. As a developer of new talent, VACT had previously
incubated such successful local Asian-Canadian sketch comedy troupes as HOT SAUCE POSSE and ASSAULTED FISH.

Come cheer the Etch-Your-Sketchers on! HA HA's are guaranteed a night filled with HaHaHa's!

Tickets:
$12 in advance in person at the Roundhouse Theatre,
by telephone 604.713.1800, or online on www.vact.ca
$15 cash at the door
14+, some coarse language and sexually suggestive content

Vietnamese Water Puppets

30th Annual Vancouver International Children's Festival at Vanier Park

Tickets at Ticketmaster
Info: www.childrensfestival.ca

Vietnamese Water Puppets
Duration: 55 minutes

May 15, 16, 18, 19, 20

An ancient performance art is brought to life by skilled puppeteers.

"...reflects the true beauty of Vietnam - a country of colour, grace and humour." San Francisco Chronicle

Watch as expert puppeteers make glittering fairies dance, fiery dragons seethe and gentle ducks paddle - all inside an elaborate set created in a pool of water! Enraptured audiences will witness the magic of this 800-year-old traditional Vietnamese performance art, from moments of mirror-like calm to churning action.

Originally created by peasants, water puppetry is now recognized as one of the most elegant and respected forms of puppetry in the world. A sell-out hit at the 2002 Festival and worldwide, you'll definitely want to experience the majesty of these special water puppets for yourself.

www.hanoiculturalfund.org.vn

Les Porteurs d'orients

Thursday 17 May 2007
17:00
Les Porteurs d'orients
Launch of the special edition of Estuaire No.127 titled as Les Porteurs d'orients featuring poems that are sparked with flavors of the Orient.
Entrance Free
Saint-Sulpice, 1680, Saint-Denis, Montréal (QC)
(514)723-4570 or (514)523-1047

DOXA Documentary Film Festival

May 22 – 27 presents:
The Art of War
Sunday, May 27, Vancouver International Film Centre, 2:00pm

Four beautiful films on the ugliness of war, featuring the world premiere No More Hiroshima, No More Nagasaki, a Canadian production partially shot in Vancouver. Director Yuki Nakamura will in attendance for a post-screening discussion.

Tickets: www.ticketstonight.ca / 606.231.7535; Bibliophile Bookshop; Videomatica
For more information: www.doxafestival.ca / 604.646.3200

Full program details:

Even if she had been a criminal... / Eût-elle été criminelle...(Jean-Gabriel Périot, France, 9 minutes)
In only minutes, this award-winning short film shows the diverse impacts of the WW II armistice – the faces of happy, liberated citizens, contrasted with the cruel spectacle of women being publicly taunted, beaten and having their heads shaved for allegedly engaging with Germans.

The Bleeding Heart of It / L’Éclat du mal (Louise Bourque, Canada, 8 minutes)
Bourque explores a psychic terrain from her own childhood, yet the film is much more than simply personal.

The Big Lie (Peter Everett, Scotland, 13 minutes)
One of the last surviving members of the Scottish International Brigades, Steve Fullarton tells of his experiences fighting fascism in the 1930s. His story is heartfelt, and as the images change from Spanish peasants weeping over the dead to footage of the Middle East today, Fullarton exhorts us not to believe everything that is told to us by the mass media.

No More Hiroshima, No More Nagasaki (Yuki Nakamura, Canada, 52 minutes)
WORLD PREMIERE. Director and producer in attendance.
A powerful telling of the horrendous disaster of the August 1945 nuclear bombings of Hiroshima and Nagasaki by the United States. Hundreds of thousands of people were killed and/or died of radiation and few are still alive to tell the tale. In No More Hiroshima, No More Nagasaki we meet several survivors of that nuclear war and hear the stories of their personal experiences being on the ground in those cities while under nuclear attack. When so many countries are currently stockpiling and building nuclear weapons, the film reminds us about the reality of warfare of this magnitude.

Director’s Bio: Yuki Nakamura (No More Hiroshima, No More Nagasaki) was born in Tokyo, and moved to Canada in 1989 to study at York University’s Faculty of Fine Arts. Since graduation, she has gone on to work as a free-lance reporter, anchor, and associate producer. No More Hiroshima, No More Nagasaki is her first documentary.

ASIANSPLOITATION PRESENTS "TOFU TV" ON MAY 24-26 2007

Asiansploitation, Toronto's Premiere All-Asian Comedy Troupe, is back
with its new full length comedy revue "TOFU TV" directed by the Canadian
Comedy Award nominated Jane Luk. Come see the troupe that brought
you last spring's sold out debut show "Be Pacific" and this past January's
Now Magazine Critic's Pick show "Asian Tuna Roll".

Get your Asian Heritage Month laughs with this hilarious take on the world
of television from an Asian perspective. Featuring sketches, songs, and
stand-up, this new show will leave you jiggling with laughter like a block of tofu.

Performing at the Bad Dog Theatre, Toronto's fast rising Home of Comedy,
Asiansploitation is proud to be an official Asian Heritage Month event. Playing
for 3 nights only! Reserve your tickets today.

WHAT: Asiansploitation Presents "TOFU TV"
DATE: May 24th to 26th 2007 (Thu to Sat)
TIME: 7:30 PM (Doors Open 7:00 PM)
WHERE: Bad Dog Theatre, 138 Danforth Avenue, Toronto, ON

COST: $10.00 Reserve your tickets at asiansploitation@gmail.com

WEB:
http://www.asiansploitation.com
http://www.asian-heritage-month.org/events.html
http://www.baddogtheatre.com

SYMPHONY AT THE ROUNDHOUSE

A Roundhouse Partnership - Roundhouse Performance Centre

The Vancouver Symphony Orchestra partners with the Roundhouse to present dynamic new music for chamber orchestra by the best of today's concert composers from Canada and beyond.

Hosted by the VSO's Composer-in-Residence Jeffrey Ryan, the Roundhouse's intimate Performance Centre provides the perfect opportunity for listeners to get "up close and personal" with the music and the music-makers.

This season the VSO presents a celebration of night music in honour of Asian Heritage Month.

Perchance to Dream

Mon, May 14, 8:00 pm Doors 7:30 pm

Admission: $27/adult; $25.50/senior; $20/student.

Call 604-876-3434 or at www.vancouversymphony.ca

Venture with us into the music of the night in this evening of nocturnes and dreamscapes. Evocative string works by Alexina Louie and Melissa Hui frame the programme with music that blends the sounds of East and West, and surround richly coloured works by local composers Rodney Sharman and Dorothy Chang, the time shifts of Toronto 's Brian Current, and the Disembodied Instruments of England's David Horne. Ken Hsieh conducts.

Feds can't say for sure where $2 billion in child-care funding went

OTTAWA (CP) - More than $2 billion in federal child-care funding has flowed into a virtual accountability void in the last three years. Officials in Ottawa have few clues as to how well the cash was spent by most provinces since 2004. Provincial reports are months or even years overdue - when they're provided at all.

It's a blind spot that critics loudly warned about when past Liberal governments first started funding a national child-care system that was seen by many as encroaching on provincial social-policy turf.

Tracking hundreds of millions of dollars across Canada is like "wandering through a maze blindfolded," says Monica Lysack, executive director of the Child Care Advocacy Association of Canada.

"There is an increasing lack of accountability for the transfer of federal funds," she said in an interview. "It was a problem under the Liberal government and is getting worse under this government."

Ottawa likes to say it's up to the provinces to publicly explain how they spend their money to their own constituents. But Lysack says such reports are outdated by the time they're finally released, or are missing altogether. "It's ridiculous."

A chart compiled by the association says reports for 2004-05 have still not been filed by Newfoundland and Labrador, Prince Edward Island, Nova Scotia, New Brunswick, Alberta, the Yukon or Nunavut.

The federal government's own child-care reports are missing for 2004-05 and 2005-06 "for a number of reasons," said Glennie Graham, director of child and youth policy for Human Resources.

A combined publication "will be released when ready," said Lesley Harmer, spokeswoman for Human Resources Minister Monte Solberg.

Part of the problem is a glaring lack of consistent information gathering. National statistics are often sketchy at best.

Just five of 10 provinces reported on federal cash for the fiscal year 2004-05, and only Saskatchewan and British Columbia have filed for 2005-06, Lysack says.

Nonetheless, another $950 million was transferred from Ottawa to provincial and territorial governments in the last fiscal year. Senior officials with the federal Human Resources Department confirmed the missing data.

Nevertheless, "every indication is they're committed to child care," Shawn Tupper, director general of social policy development, said of the provinces.

"And we have seen growth," he told the Commons human resources committee last week.

The number of child care spaces has risen since 2004 by about 40,000, to 786,832 spots across the country, according to government estimates gleaned from research at the University of Toronto.

Despite some improvements, families in many parts of the country - especially British Columbia and Ontario - face long waits for quality child care, Lysack says. There is also confusion about federal cash that has been transferred but not yet spent on early learning, she added.

"Parents are entitled to answers."

Lysack and NDP child-care critic Olivia Chow say legislation is needed to compel timely, detailed reporting.

In the meantime, federal cash will keep flowing.

The Conservatives, in their March budget, pledged another $250 million in child-care money this year to be doled out to the provinces on a per capita basis - again with no strings attached, critics say.

Ottawa plans to continue that funding at $250 million a year through the Canada Social Transfer but insists that, starting next year, it will ensure "reporting and accountability" from the provinces.

That's easier said than done, says Adam Taylor of the Canadian Taxpayers Federation.

"It's one of the problems with trying to create these national programs that are supposed to transcend jurisdiction." The problem is that provinces may well say: Give us the money and don't ask too many questions.

"It's much better to transfer money directly to parents and have them choose what child or day care option is best for their family - rather than have governments decide for them, and then taxpayers have no choice but to pay for it all," says Taylor.

"It's not good public policy."

The Ontario Coalition for Better Child Care is among groups asking pointed questions about how provincial governments are spending federal cash. There are growing concerns about increasing fees, program funding cuts and lack of quality spaces.

"The most significant question is whether federal funds . . . will be used to support the Ontario child-care system, or instead be used for other programs," the coalition said after the province brought down its latest budget.

Anne Machowski, spokeswoman for the Ontario Ministry of Children and Youth Services, said the province hopes to publicly post its 2005-06 child-care report by this July. It will account for how Ontario spent $87.4 million in federal funds, she said.

© The Canadian Press, 2007

Daughter of entertainer Don Ho found dead, weeks after father passed away

HONOLULU (AP) - Dayna Ho-Henry, daughter of the late entertainer Don Ho, has died, a family member said. The 51-year-old's death comes less than a week after the May 5 beach funeral in Waikiki for her father, who died April 14 of heart failure at age 76.

Ho-Henry's body was discovered Friday at a home on Oahu's North Shore. No other details were immediately available.

She was the third of 10 children of the legendary Hawaii entertainer known for his catchy signature tune "Tiny Bubbles."

"The family is grieving the loss of my sister and we're just trying to make sense of it," Ho-Henry's brother, Dwight Ho, told The Associated Press.

Honolulu police spokeswoman Michelle Yu said no foul play is suspected.

The family Friday was gathering to mourn Ho-Henry's death, much like they did just a few weeks ago for Ho.

The Canadian Press, 2007

Tuesday, May 08, 2007

Warner Bros. cancels advance screenings in push for anti-piracy laws

TORONTO (CP) - Canadian film lovers hoping to catch an early peek at "Ocean's Thirteen" and the upcoming Harry Potter sequel will be out of luck after Warner Bros. cancelled all of its advance screenings and accused Canucks of being at the forefront of the piracy market. The move was met with skepticism by one copyright observer who questioned statistics behind the Hollywood studio's claims, and by a film critic who wondered whether the general public would even take much notice that early viewings are being dropped.

Darcy Antonellis, Warner Bros.' senior vice-president of worldwide anti-piracy operations, defended the move Tuesday, saying weak Canadian copyright rules have made the country a haven for organized crime syndicates to make and sell illegal DVDs.

"Canada does have the highest camcording rate (by individuals in theatres) of any other territory," Antonellis said Tuesday by phone from Los Angeles.

"This is eliminating one of the avenues of leaks that we have already identified."

Warner Bros. said roughly 70 per cent of its releases have been pirated in Canada over the last 18 months.

The studio's ban on advance screenings, affecting roughly a dozen Canadian cities, will begin immediately. Movies affected include the upcoming Brad Pitt-George Clooney film "Ocean's Thirteen" and the hotly anticipated "Harry Potter and the Order of the Phoenix."

The move is less severe than one proposed last year by 20th Century Fox, which threatened to push back the release date of its films in Canada over the same issue.

Ottawa-based copyright expert Michael Geist questioned Warner Bros.'s piracy accusations, noting that independent reports have suggested counterfeiting is far less severe than the film studios make them out to be.

He pointed to a Financial Times report that says the OECD is about to release a study suggesting trade losses due to counterfeiting and piracy have been exaggerated by business lobby groups. The report said global losses were up to $200 billion last year, which is a third of what business groups had been claiming.

"This is a global phenomena and this specific targeting of Canada without any independent data or verification is highly problematic," said Geist, pointing to New York and China as other centres often cited as piracy havens.

"Camcording, for the most part, is such a small part of the broader piracy issue, even for movies," he said.

"The reality of the business is once there is a DVD master version of this, which occurs weeks after the movie hits the theatres, that the pirates use the far better quality master version. The true film fan wants to see it in the theatre or the real DVD version, they don't want to see the camcorded version."

Antonellis conceded that many of the illegal copies floating around the Internet and in street markets are made after a film's official release date, but insisted banning Canadian screenings would eliminate one avenue for pirates.

Film writer Brian Johnson doubted the general public would notice Warner Bros.' protest.

"I think it's a thin slice of the population who actually goes to those preview screenings," he said.

"I think it has repercussions inside the industry and it's certainly a way of publicizing the case and making politicians more aware of it."

It is currently not a criminal offence in Canada to make recordings of movies in theatres for personal use. In order to prosecute a pirate, there must be proof that the copy of the film is being made for commercial purposes.

In 2005, movie piracy cost the Canadian film industry US$225 million and the Canadian government US$34 million, according to a Motion Picture Association of America study.

Last April, the MPAA put Canada on a watch list of high-risk countries that included longtime offenders like China, Malaysia and India. Pirated recordings, sold for as little as $2, can move from theatre to sale on DVD stands around the world in less than a day.

Geist said one fear in Canada is that tougher piracy legislation could put the country on a slippery slope to other restrictions that would jeopardize privacy and consumer rights.

"It's a fine line. If you create so much protection and focus so heavily on enforcement . . . you can actually ultimately have the effect of stifling the very innovation and creativity that you're hoping to unleash."

He noted that parliamentary committees already studying the issue in Ottawa have heard arguments to ratify the World Intellectual Property Organization's Internet treaties, which also advocate limiting how digital music can be shared.

Oscar-winning screenwriter Paul Haggis said he was in favour of tougher laws to crack down on illegal copies.

"I can only tell you how disheartening it is to spend two or three years on a movie and then walk down the street opening weekend and see degraded, inferior versions of it for sale for less than the price of a theatre ticket," Haggis told CTV's ETalk on Tuesday.

"I don't know enough about piracy and its sources to comment on the Canadian situation, but anything that can be done to effectively prevent this kind of creative butchery has my support."

© The Canadian Press, 2007

Mina Shum's Long Life, Happiness & Prosperity - 5th Anniversary Screening

May 12
1:00pm - 3:30pm

Vancity Theatre
1181 Seymour Street, Vancouver

Tickets: On sale at the door on the day of the event starting at 9:00am

FREE admission for explorASIAN Members with presentation of 2007 Membership Card at the door

$10/person without membership

explorASIAN 2007 Memberships ($10) available at the door (cash only)

Come and enjoy the 5th Anniversary screening of Mina Shum's feature film Long Life, Happiness & Prosperity and stay for an lively and inciteful Q&A session with Mina herself after the screening.

Meet some of the cast members and crew and other members from the Asian Canadian acting and film community

Presented by Shaw Multicultural Channel (Channel 109)

LOST AND FOUND website launch party

Friday, May 11, 2007, 7:00pm
Access Artist Run Centre, 206 Carrall Street

Free admission - * FAMILY EVENT *

Info: 604 683 8240, miko@dkam.ca
www.powellstreetfestival.com

The Lost and Found website is the second half of a collaborative project produced by the Powell Street Festival Society and Access Artist Run Centre in 2006.

Lost and Found was originally a group exhibition featuring the work of Judy Chartrand, Wayde Compton and Haruko Okano. Through an artistic residency with the PSFS and VAARC the three artists were asked to consider lost and forgotten "histories" that both linger and disappear within the context of the
Downtown Eastside (DTES) of Vancouver, B.C.

Each artist produced new works that examined three particular neighborhoods in the DTES. The first area was the former Japantown that had existed prior to the Second World War. The second, Hogan's Alley, was Vancouver's first and last neighborhood with a concentrated black population and is now gone because of the construction of the Georgia Viaduct in the 1970's. The last and largest area covers the DTES and
Strathcona neighborhoods that were once made up of land once attributed to the Squamish Nation.

Please come help PSF, VAARC and the artists celebrate the launch of the legacy component of Lost and Found and view the site for the first time! Refreshments will be served.

Hong Kong director Stanley Kwan plans biopic on Bruce Lee

HONG KONG (AP) - A respected Hong Kong director said Monday he is negotiating with the family of Bruce Lee for approval to shoot a movie about the late action star.
Stanley Kwan said his movie will explore how Lee was influenced by the absence of his father, and how he brought up his own son, Brandon Lee. It will also look at how Bruce Lee turned into a master of martial arts, he said.

Both Bruce and Brandon Lee died when they were relatively young.

Bruce Lee died in 1973 at age 32 from swelling of the brain. Brandon, who also became an actor, was killed on the set of the film "The Crow" in 1993 when a prop gun that supposedly held blank bullets discharged a live one.

In April, Chinese state media reported that the country's national broadcaster has started filming a 40-part TV series on Bruce Lee in an apparent bid to promote Chinese culture ahead of next year's Beijing Summer Olympics.

Kwan said in a phone interview that no casting decisions have been made and that his movie's budget hasn't been set.

He said the project, which won't start shooting until next year at the earliest, is backed by mainland Chinese funding but that he will also try to raise funds from foreign investors.

Kwan said the dialogue will be in both Chinese and English depending on the setting.

Bruce Lee was born in San Francisco but his family returned to Hong Kong, where he grew up. He went back to the United States to study philosophy at the University of Washington and married in 1964 in Seattle, where he opened his first martial arts school.

He later opened a school in Los Angeles where a producer saw him in a kung fu demonstration and cast him as Kato in the "Green Hornet" TV show.

Lee is known for films in which he portrayed characters that defended the Chinese and the working classes from oppressors.

The best-known biographical film on Lee is "Dragon: The Bruce Lee Story," starring Jason Scott Lee, which was released in 1993. Jason Scott Lee is not related to Bruce Lee.

Kwan's credits include "Rouge" and "Center Stage," which won a best actress Silver Bear prize for Hong Kong's Maggie Cheung at the 1992 Berlin Film Festival.

© The Canadian Press, 2007

Saturday, May 05, 2007

Access to Asia-Pacific crucial for Canada, PM says in announcing new projects

VANCOUVER (CP) - Ten more projects to improve trade corridors between Canada and the Asia-Pacific region have been approved by the federal government. But Prime Minister Stephen Harper told a conference in Vancouver Friday morning that he doesn't want to steal Trade Minister David Emerson's thunder by announcing what they are.

The prime minister says the projects will improve traffic flow on road and rail lines and enhance the efficiency and safety of the routes used to move goods from overseas to Canada and vice versa.

Six of the projects will be located in B.C. and more details on what exactly they are will be announced in the coming weeks.

Harper was speaking at a meeting of the Asia-Pacific Gateway and Corridor Initiative, a private-public collaboration on how to strengthen Canada's access to the valuable markets across the Pacific Ocean.

He says that investing in infrastructure to help Canada tap into the global market is the best way to restore equality to all regions of the country.

The last federal budget committed $33 billion for infrastructure projects in the long term.

© The Canadian Press, 2007

Internet ad revenue in Canada breaks $1B

(CBC) - Internet advertising broke the $1 billion mark in Canada for the first time in 2006, and is expected to grow by 32 per cent in 2007, the industry's association said Monday.

The Canadian online ad industry raked in $1.01 billion in 2006, an 80 per increase over the $562 million collected in 2005, according to the Internet Advertising Bureau of Canada.

The association forecasts that revenues in 2007 will rise to $1.337 billion, or 32 per cent more than the 2006 figure.

"It took us 13 years from when the first banner was served on the internet, until now, to reach the billion dollar mark in Canada," association president Paula Gignac said in a written statement. "It may take us only another two to three years to reach the second billion."

About 21 per cent or $208 million of the $1.01 billion spent in 2006 was spent on ads aimed at the French-Canadian market, an increase of 68 per cent of the $124 million spent in 2005.

The increase can be attributed to growth among online publishers, an increasing Canadian audience, more and new advertisers using online ads as part of integrated campaigns, ads linked to searches, and new types of ad formats such as video, according to IAB Canada.

The group also took some credit for the increases, noting that over the last two years, more than 1,000 executives representing advertisers, agencies and publishers have taken its internet marketing and advertising course.

By medium, spending in online classified sites and directories saw the biggest increase in revenue growth, rising 120 per cent to $273 million in 2006 from $124 in 2005.

E-mail advertising came in second place, increasing 82 per cent to $20 million in 2006 from $11 million the year before.

Advertising linked to search results rose 79 per cent to $353 million from $197 million in 2005.

And the oldest form of online marketing, display advertising, increased 58 per cent to $364 million from $230 million in 2005.

U.S. targets China, Russia and 10 other countries for copyright piracy watch list

WASHINGTON (AP) - The Bush administration on Monday targeted China, Russia and 10 other nations for extra scrutiny in the piracy of American movies, music, computer programs and other copyrighted materials. The 12 nations were put on a "priority watch list" in the area of copyright piracy, which costs the American industry billions of dollars in lost sales annually.

"We must defend ideas, inventions and creativity from rip-off artists and thieves," U.S. Trade Representative Susan C. Schwab said in a statement accompanying this year's report.

The Canadian Press, 2007

Tuesday, May 01, 2007

Five Thousand Springs - A History of Chinese Music

Location: Alma VanDusen & Peter Kaye Room, Lower Level, Central Library, 350 West Georgia Street
Date and time: Thursday, May 3, 2007 at 7:30pm
Admission: Free to public

The Vancouver Chinese Music Ensemble, established in 1989, is the finest professional Chinese music organization in Canada. For their first appearance, the ensemble was invited to perform for the Governor General's Concert at the Orpheum Theatre in Vancouver. Since then, they have performed in hundreds of concerts across Canada and in the United States. Each member is a highly accomplished
instrumentalist. Together they combine technical mastery with a passionate approach to music.

Performed in a variety of combinations, their instruments include erhu (Chinese violin), dizi (Chinese flute), pipa (Chinese lute), yangqin (Chinese hammered dulcimer), zheng (Chinese harp), and ruan (Chinese guitar).

This versatile group embraces the popular and the classical traditions of China as well as western classical and contemporary music performed on Chinese instruments. The ensemble has a broad repertoire encompassing traditional music from various regions of China, to adaptations of Canadian folk songs and other music, as well as contemporary composition. In addition to self-produced concert presentations,
the ensemble has performed at numerous folk music festivals, including those in Vancouver, Edmonton and Winnipeg. Its performances have also been broadcast on radio and television, and they released their first CD, Transplanted Purple Bamboo, in 2000, the second one, New Frontiers, in 2006.

Guest speaker, Alan Lau, who graduated from composition department of UBC, will give a brief talk on the history of Chinese music and culture. Music performance will be interluded throughout the whole talk. A Q&A section will follow.

Vancouver Chinese Instrumental Music Society
310 - 425 Carrall Street
Vancouver, BC
T. (604) 683 8240

www.vancouverchinesemusic.ca

Majority of new immigrants positive about coming to Canada: StatsCan

TORONTO (CP) - After immigrating to Canada from Dubai, Anne DeSouza felt depressed and sometimes cried as she and her husband were unable to find work for the first few months. But her husband's positive outlook and willingness to take jobs below his qualifications saw the family through the hard time. "It was teething troubles one has when one moves to a new place," DeSouza, 50, said from her home in Mississauga, Ont.

After living in Canada for almost five years, the DeSouzas recently went back to Dubai for a visit.

"I wanted to see whether I felt that nostalgia or longing for the place. But it wasn't there. I found it too crowded and fast, the traffic was crazy," she said. "We were missing Canada."

DeSouza's experience jibes with a report from Statistics Canada that suggests more than 80 per cent of new immigrants are positive about their decision to come to this country.

But immigrants did run into disappointments - in particular, difficulty finding work.

The agency's report found half of those looking for employment said a lack of Canadian work experience was a problem. DeSouza can attest to that.

"It's never easy for immigrants when you come here because you don't have the Canadian experience and nobody wants to give you the Canadian experience because you don't have the Canadian (experience) ... it's a vicious circle," she said.

The study is actually two reports. One examines immigrants' assessment of life in Canada and the other looks at the relationship between new immigrants' knowledge of the two official languages and their chances of finding an appropriate job.

Both reports were the third wave in the Longitudinal Survey of Immigrants to Canada. This survey was designed to examine how newly arrived immigrants adjust over time to living in Canada. The first wave was based on interviews with 12,000 immigrants aged 15 and older between 2001 and 2002, six months after their arrival. The second wave questioned 9,300 of the same immigrants about two years later and the final wave of 7,700 people was interviewed four years after their arrival.

A spokesperson for the Ministry of Citizenship and Immigration said,

"We are committed to establishing an office that will help provide newcomers with a clearer path on where to get their credentials assessed and will help foreign trained individuals get their credentials recognized more quickly."

He added that the Conservative government has committed millions of dollars over two years for settlement funding to improve outcomes for newcomers.

Olivia Chow, the deputy immigration critic for the NDP, was not surprised by the study's findings.

She said Canada's failure to recognize skilled immigrants is costing Canada in earnings, productivity and much needed services. She said the time for consulting has passed and it is time for action.

"It's a lose, lose, lose situation," Chow said from her office in Ottawa. "Or it could be a win, win, win. We get more taxes, a more productive Canada and a better quality of life for immigrants and Canadians are served better and so our employers will be more competative."

DeSouza said her husband had a high position with a clothing manufacturer in Dubai, with clients that included Gap and Banana Republic. But after 9-11, American orders dried up, and he needed to find work elsewhere.